R
Some Known Still Codes Part 2: Codes starting with numbers
Of course, the easiest way to identify a photo is if the identification is printed on the photo. Visit this page for examples.
Most stills will have a number or letter sequence, which identifies the film, and a dash and the still number for that film. To match the still to the film, you must know the studio that produced the film. Even if you don't know the studio, you may be able to infer it from the stars portrayed in the still. For example, a Mary Pickford movie from the 1910's is probably a Paramount film.
Some independant producers just numbered their stills sequentially. For example, D.W. Griffith numbered his stills for Intolerance (1916) and Broken Blossoms (1919) that way. Some studios used letters and number codes. For example "FORD-11" is the eleventh film that John Ford directed for Fox.
Robert Birchard's book King Cowboy: Tom Mix and the Movies lists the still codes for most of Mix's movies. Also, thanks to Mr. Birchard for helping me identify some of my early Paramount stills. Warren M. Sherk's book The Films of Mack Sennett: Credit Documentation from the Mack Sennett Collection at the Margaret Herrick Library lists still codes for most Mack Sennett films, plus others like Triangle Komedies that he was associated with in name only. Jon Mirsalis has listed still codes for Lon Chaney films on his Lon Chaney home page .
The codes below were gleaned from the stills in my collection that I have identified, and from silent film books that I own. Thanks to Richard Koszarski for supplying me with the Goldwyn and MGM still codes. Thanks to Derek Boothroyd to supplying many of these codes that he found in his still collection.
Click here to see still codes that start with letters, which are on the next page.
|
Code |
Studio |
Title (Year) |
Star |
|
001 |
Essanay |
His New Job (1915) |
Charlie Chaplin, Ben Turpin |
|
002 |
Essanay |
A Night Out (1915) |
Charlie Chaplin, Ben Turpin |
|
003 |
Essanay |
The Champion (1915) |
Charlie Chaplin, Edna Purviance |
|
004 |
Essanay |
In the Park (1915) |
Charlie Chaplin, Edna Purviance |
|
005 |
Essanay |
A Jitney Elopement (1915) |
Charlie Chaplin, Edna Purviance |
|
006 |
Essanay |
The Tramp (1915) |
Charlie Chaplin, Edna Purviance |
| 00437-x-x | Essanay | The Man in Him (1916) | G. M. Anderson |
|
1-x |
Corinne Griffith/ First National |
Infatuation (1925) |
Corinne Griffith, Warner Oland |
|
1-x |
First National |
Clothes Make the Pirate (1925) |
Dorothy Gish, Leon Errol, Nita Naldi |
|
1-x |
Fox |
Fallen Angel (1918) |
Jewel Carmen |
|
1-x |
Goldwyn |
Field of Honor (1917) |
Unknown |
|
2-x |
Fox |
Ace High (1918) |
Tom Mix, Virginia Lee Corbin |
| 2-x | Fox | The Divorce Trap (1919) | Gladys Brockwell |
|
2-x |
Goldwyn |
Fighting Odds (1917) |
Maxine Elliott |
| 2-x | Playgoers Pictures | Counterfeit Love (1923) | Marian Swayne |
|
3-x |
Goldwyn |
Sunshine Alley (1917) |
Mae Marsh, Robert Harron |
| 3.15-x | Pathé | Power (1928) | William Boyd, Jacqueline Logan |
|
4-x |
Fox |
American Methods (1918) |
William Farnum, Florence Vidor |
|
4-x |
Fox |
Mr. Logan, U.S.A. (1918) |
Tom Mix |
|
4-x |
Goldwyn |
Eternal Magdalene (1919) |
Maxine Elliott |
| 4-19-x | Pathé | The Flying Fool (1929) | Willliam Boyd, Marie Prevost |
|
5-x |
Fox |
Durand of the Badlands (1917) |
Dustin Farnum |
|
5-x |
Goldwyn |
Polly of the Circus (1917) |
Mae Marsh, |
|
6-x |
Columbia |
Yesterday's Wife (1923) |
Irene Rich, Eileen Percy |
|
6-x |
First National |
Three Hours (1927) |
Corinne Griffith, Hobart Bosworth |
|
6-x |
FBO |
A Miss in the Dark (1924) |
Kit Guard |
|
6-x |
Goldwyn |
Baby Mine (1917) |
Madge Kennedy |
|
7-x |
Goldwyn |
Spreading Dawn (1917) |
Jane Cowl |
| 7-x | Inspiration/Associated First National | The Fighting Blade (1923) | Richard Barthelmess, Dorothy Mackaill |
|
7-x |
Preferred/Associated First National |
White Shoulders (1922) |
Katherine McDonald |
|
8-x |
Associated First National |
Black Oxen (1923) |
Corinne Griffith, Conway Tearle |
|
8-x |
Fox |
Six-Shooter Andy (1918) |
Tom Mix, Enid Markey |
|
8-x |
Goldwyn |
The Cinderella Man (1917) |
Mae Marsh, Tom Moore |
|
9-x |
First National / Inspiration |
The Enchanted Cottage (1924) |
Richard Barthelmess, May McAvoy |
|
9-x |
Fox/Victory |
Call of the Soul (1919) |
Gladys Brockwell |
|
9-x |
Goldwyn |
Nearly Married (1917) |
Madge Kennedy |
|
10-x |
Fox |
Hell Roarin' Reform (1919) |
Tom Mix, |
|
10-x |
Goldwyn |
Joan of Plattsburg (1918) |
Mabel Normand |
|
10W-x |
Warner Brothers |
The Tenth Woman (1925) |
Beverly Bayne, June Marlowe |
|
11-x |
First National |
Companionate Marriage (1928) |
Betty Bronson, Alec B. Francis |
|
11-x |
Fox |
Riders of the Purple Sage (1918) |
William Farnum |
|
11-x |
Goldwyn |
Thais (1917) |
Mary Garden |
|
12-x |
Goldwyn |
The Beloved Traitor (1918) |
Mae Marsh |
|
12-x |
Universal |
Outside the Law (1921) |
Lon Chaney, Priscilla Dean |
|
12-x |
Inspiration/United Artists |
She Goes to War (1929) |
Eleanor Boardman |
|
13-x |
Fox |
Man Hunter (1919) |
William Farnum, Louise Lovely |
|
13-x |
Assoc. First National |
The Sea Hawk (1924) |
Milton Sills, Enid Bennett |
|
13-x |
Goldwyn |
Oh Mary Be Careful (1921) |
Madge Kennedy |
|
14-x |
Goldwyn |
The Splendid Sinner (1918) |
Mary Garden, Anders Randolph |
|
15-x |
Goldwyn |
Dodging a Million (1918) |
Mabel Normand, Tom Moore |
|
16-x |
First National |
The Woman on the Jury (1925) |
Lew Cody, Bessie Love |
| 16-x | Fox Sunshine | A Tight Squeeze (1918) | |
|
16-x |
Goldwyn |
Our Little Wife (1918) |
Madge Kennedy, Walter Hiers |
|
17-x |
Goldwyn |
The Floor Below (1918) |
Mabel Normand, Tom Moore |
|
18-x |
Goldwyn |
The Face in the Dark (1918) |
Mae Marsh |
|
19-x |
Goldwyn |
The Danger Game (1918) |
Madge Kennedy, Tom Moore |
|
19-x |
First National |
The Perfect Flapper (1924) |
Coleen Moore, Syd Chaplin |
|
20-x |
Goldwyn |
The Glorious Adventure (1918) |
Mae Marsh |
|
21-x |
Goldwyn |
The Fair Pretender (1918) |
Madge Kennedy, Tom Moore |
|
22-x |
Goldwyn |
The Venus Model (1918) |
Mabel Normand, Rod LaRocque |
| 23-x | Associated First National | The Silent Watcher (1924) | Bessie Love, Hobart Bosworth |
|
23-x |
Goldwyn |
All Woman (1918) |
Mae Marsh |
|
23-x |
Cosmopolitan/Paramount |
When Knighthood Was In Flower (1922) |
Marian Davies |
|
24-x |
Goldwyn |
The Service Star (1918) |
Madge Kennedy |
| 25-x | Fox | Salome (1918) | Theda Bara |
|
25-x |
Goldwyn |
Money Mad (1918) |
Mae Marsh, Rod LaRocque |
|
26-x |
Goldwyn |
Just for Tonight (1918) |
Tom Moore |
| 27-x | Fox | Her Double Life (1916) | Theda Bara |
|
27-x |
RKO/Pathé |
Lonely Wives (1931) |
Patsy Ruth Miller, Edward Everett Horton, Laura La Plante |
|
27-x |
Goldwyn |
Back to the Woods (1918) |
Mabel Normand |
| 28-x | Fox | The She Devil (1918) | Theda Bara, Alan Roscoe |
|
28-x |
Goldwyn |
Friend Husband (1918) |
Madge Kennedy, Rockliffe Fellowes |
|
29-x |
Goldwyn |
Hidden Fires (1918) |
Mae Marsh, Rod LaRocque |
|
30-x |
Goldwyn |
The Kingdom of Youth (1918) |
Madge Kennedy, Tom Moore |
|
31-x |
Goldwyn |
Peck's Bad Girl (1918) |
Mabel Normand |
|
32-x |
Goldwyn |
A Perfect Lady (1918) |
Madge Kennedy, Rod LaRocque |
|
33-x |
Goldwyn |
The Bondage of Barbara (1919) |
Mae Marsh, Tom Moore |
|
34-x |
Goldwyn |
A Perfect 36 (1918) |
Mabel Normand, Rod LaRocqu |
|
35-x |
Goldwyn |
Thirty a Week (1918) |
Tom Moore |
|
36-x |
Goldwyn |
The Racing Strain (1918) |
Mae Marsh |
|
37-x |
Goldwyn |
Day Dreams (1919) |
Madge Kennedy, John Bowers |
|
38-x |
Goldwyn |
Go West, Young Man (1918) |
Tom Moore, Ora Carew |
|
39-x |
First National |
The Greater Glory(1926) |
Anna Q. Nilsson, May Allison |
|
39-x |
Goldwyn |
Daughter of Mine (1919) |
Madge Kennedy, John Bowers |
|
40-x |
Goldwyn |
Sis Hopkins (1919) |
Mabel Normand, John Bowers |
|
41-x |
Goldwyn |
Woman on the Index (1919) |
Pauline Frederick |
|
42-x |
Goldwyn |
Man and His Money (1919) |
Tom Moore, Seena Owen |
|
43-x |
Goldwyn |
Spotlight Sadie (1919) |
Mae Marsh |
|
44-x |
Goldwyn |
One Week of Life (1919) |
Pauline Frederick |
|
45-x |
Goldwyn |
The Pest (1919) |
Mabel Normand, John Bowers |
|
46-x |
First National |
Irene (1926) |
Colleen Moore, Lloyd Hughes |
|
46-x |
Goldwyn |
One of the Finest (1919) |
Tom Moore, Seena Owen |
|
47-x |
First National |
The Girl from Montmartre (1926) |
Barbara LaMarr, Lewis Stone |
|
47-x |
Goldwyn |
Leave It to Susan (1919) |
Madge Kennedy |
|
48-x |
Goldwyn |
Peace of the Roaring River (1919) |
Pauline Frederick |
|
49-x |
Cosmopolitan/Goldwyn |
The Great White Way (1924) |
Anita Stewart |
|
49-x |
Goldwyn |
The City of Comrades (1919) |
Tom Moore, Seena Owen |
|
50-x |
Goldwyn |
When Doctors Disagree (1919) |
Mabel Normand |
|
50-x |
Langdon/First National |
Tramp, Tramp, Tramp (1926) |
Harry Langdon, Joan Crawford |
|
51-x |
Goldwyn |
Strictly Confidential (1919) |
Madge Kennedy, John Bowers |
| 51 x | 20th Century-Fox | A Walk in the Sun (1945) | Dana Andrews, Lloyd Bridges |
|
52-x |
Goldwyn |
The Peace of Roaring River (1920) |
Pauline Frederick |
|
53-x (or 57-x?) |
Goldwyn |
The Fear Woman (1919) |
Pauline Frederick, Milton Sills |
|
54-x |
Goldwyn |
Through the Wrong Door (1919) |
Madge Kennedy, John Bowers |
| 55-x | First National | Wise Guy, The (1926) | James Kirkwood, Mary Astor |
|
55-x |
Goldwyn |
Upstairs (1919) |
Mabel Normand, Cullen Landis |
|
56-x |
Goldwyn |
Bonds of Love (1919) |
Pauline Frederick |
|
57-x |
First National |
Ella Cinders (1926) |
Colleen Moore, Lloyd Hughes |
|
57-x ?? |
Goldwyn |
Heartsease (1919) |
Tom Moore, Helene Chadwick |
|
58-x |
Goldwyn |
Almost a Husband (1919) |
Will Rogers |
|
59-x |
Goldwyn |
Jinx (1919) |
Mabel Normand |
| 60-x | First National | It Must Be Love (1926) | Colleen Moore, Jean Hersholt |
|
60-x |
Goldwyn |
The Gay Lord Quex (1919) |
Tom Moore |
| 61-x | Goldwyn | Bonds of Love (1919) | Pauline Frederick |
|
61A-x |
Goldwyn |
The Loves of Letty (1919) |
Pauline Frederick, John Bowers |
|
62-x |
Goldwyn |
Water, Water Everywhere (1919) |
Will Rogers, Irene Rich |
|
63-x |
First National |
Twinkletoes (1927) |
Colleen Moore, Warner Oland |
|
63-x |
Goldwyn |
The Paliser Case (1920) |
Pauline Frederick |
|
64-x |
Goldwyn |
Toby's Bow (1919) |
Tom Moore |
|
64-x |
Selznick |
One Week of Love (1922) |
Elaine Hammerstein, Conway Tearle |
|
65-x |
Goldwyn |
Pinto (1919) |
Mabel Normand, Cullen Landis |
|
66-x |
Goldwyn |
The Cup of Fury (1919) |
Helene Chadwick, Rockliffe Fellowes |
|
67-x |
Goldwyn |
The Street Called Straight (1920) |
Charles Clary, Naomi Childers |
|
67-x |
Langdon/First National |
Long Pants (1927) |
Harry Langdon, Priscilla Bonner |
|
68-x |
Goldwyn |
Out of the Storm (1920) |
Barbara Castleton, John Bowers |
|
69-x |
Goldwyn |
Turn of the Wheel (1919) |
Geraldine Farrar, Herbert Rawlinson, Percy Marmont |
| 69-x | First National | Orchids and Ermine (1927) | Colleen Moore, Jack Mulhall |
|
70-x |
Goldwyn |
Jubilo (1919) |
Will Rogers |
|
71-x |
Goldwyn |
The Hell Cat (1919) |
Geraldine Farrar, Tom Santschi |
|
72-x |
Goldwyn |
Shadows (1919) |
Geraldine Farrar, Milton Sills |
|
73-x |
Goldwyn |
The Stronger Vow (1919) |
Geraldine Farrar, Milton Sills |
|
74-x |
Goldwyn |
The World and Its Women (1919) |
Geraldine Farrar, Lou Tellegen |
|
75-x |
Goldwyn |
The Flame of the Desert (1919) |
Geraldine Farrar, Lou Tellegen |
|
75-x |
Sennett/Assoc. First National |
A Small Town Idol (1921) |
Ben Turpin, Phyllis Haver |
|
76-x |
Goldwyn |
The Woman and the Puppet (1920) |
Geraldine Farrar, Lou Tellegen |
|
77-x |
Goldwyn |
Laughing Bill Hyde (1918) |
Will Rogers |
| 77-x | Ince/Paramount | The Woman in the Suitcase (1920) | Enid Bennett |
|
78-x |
First National |
The Tender Hour (1927) |
Billie Dove, Ben Lyon |
|
78-x |
Goldwyn |
Too Fat to Fight (1918) |
Frank McIntyre, Florence Dixon |
|
78-x |
Ince / Paramount |
Behind the Door (1919) |
Hobart Bosworth, Wallace Beery |
|
79-x |
Goldwyn |
The Brand (1919) |
Kay Laurel, Russell Simpson |
|
80-x |
Goldwyn |
The Crimson Gardenia (1919) |
Owen Moore, Hedda Nova |
|
80-x |
Ince / Artcraft |
Alarm Clock Andy (1920) |
Charles Ray |
|
81-x |
Goldwyn |
The Girl From Outside (1919) |
Clara Horton, Cullen Landis |
|
82-x or REX BEACH-9-x |
Goldwyn |
The Silver Horde (1920) |
Myrtle Stedman, Betty Blythe |
| 82-x | Ince | Mary's Ankle (1920) | Douglas MacLean, Doris May |
|
83-x |
Goldwyn |
The Little Shepard of Kingdom Come (1920) |
Jack Pickford, Pauline Starke |
|
84-x |
First National |
Naughty But Nice (1927) |
Colleen Moore, Donald Reed |
|
84-x |
Goldwyn |
Going Some (1920) |
Cullen Landis |
|
85-x |
Goldwyn |
Dangerous Days (1920) |
Lawson Butt, Rowland V. Lee |
|
85-x |
First National |
The Stolen Bride (1927) |
Billie Dove, Lloyd Hughes |
|
86-x |
Goldwyn |
Duds (1920) |
Tom Moore, Naomi Childers |
|
86-x also APOC-x |
Metro |
The Four Horsemen of the Apocalypse (1921) |
Rudolph Valentino, Alice Terry |
|
87-x |
Goldwyn |
The Blooming Angel (1920) |
Madge Kennedy, Pat O'Malley |
|
88-x |
Goldwyn |
The Woman in Room 13 (1920) |
Pauline Frederick, John Bowers |
|
88-x |
First National |
Rose of the Golden West (1927) |
Gilbert Roland, Mary Astor |
|
89-x |
Goldwyn |
The Strange Boarder (1920) |
Will Rogers, Irene Rich |
|
89-x |
New York Motion Picture / Triangle |
The Sorrows of Love (1916) |
Bessie Barriscale |
|
90-x |
Goldwyn |
Earthbound (1920) |
Wyndham Standing, Naomi Childers |
|
91-x |
Goldwyn |
Partners of the Night (1920) |
Pinna Nesbit, William B. Davidson |
|
92-x |
Goldwyn |
Edgar and the Teacher's Pet (1920) |
Edward Peil Jr. |
|
93-x |
Goldwyn |
The Slim Princess (1920) |
Mabel Normand, Tully Marshall |
| 94-x | First National | Lonesome Ladies (1927) | Lewis Stone, Anna Q. Nilsson |
|
94-x |
Goldwyn |
Dollars and Sense (1920) |
Madge Kennedy, Kenneth Harlan |
|
95-x |
Goldwyn |
Roads of Destiny (1921) |
John Bowers, Pauline Frederick |
|
96-x |
Goldwyn |
Jes' Call Me Jim (1921) |
Will Rogers, Irene Rich |
|
96-x |
Ince |
Her Husband's Friend (1920) |
Enid Bennett |
|
97-x |
Goldwyn |
The Great Accident (1921) |
Tom Moore, Jane Novak |
|
97-x |
Ince / Paramount |
Beau Revel (1921) |
Lewis Stone, Florence Vidor |
| 97-x | First National | The American Beauty (1927) | Billie Dove, Lloyd Hughes |
|
98-x |
First National |
Man Crazy (1928) |
Dorothy Mackaill, Jack Mulhall |
|
98-x |
Goldwyn |
The Penalty (1920) |
Lon Chaney, Ethel Grey Terry |
|
99-x |
Goldwyn |
A Double-Dyed Deceiver (1920) |
Jack Pickford |
|
100-x |
Goldwyn |
Branding Iron (1920) |
James Kirkwood, Barbara Castleton |
|
101-x |
Goldwyn |
Help Yourself (1920) |
Madge Kennedy |
|
101-x |
Ince/FPL |
The Bronze Bell (1921) |
Courtenay Foote |
|
102-x |
Goldwyn |
Edgar's Hamlet (1920) |
Edward Peil Jr. |
|
102-x |
Langdon/First National |
The Chaser (1928) |
Harry Langdon, Bud Jamison |
|
103-x |
Goldwyn |
Scratch My Back (1920) |
T. Roy Barnes |
|
103-x |
First National |
Love Mart (1927) |
Billie Dove, Gilbert Roland |
|
103-x |
Metro |
Camille (1921) |
Nazimova, Rudolph Valentino |
|
104-x |
First National |
Her Wild Oat (1927) |
Colleen Moore |
|
104-x |
Goldwyn |
North Wind's Malice (1920) |
Tom Santschi |
| 104-x | Ince/Associated Producers | The Cup of Life (1921) | Madge Bellamy, Hobart Bosworth |
|
104-x |
Paramount |
Audrey (1916) |
Pauline Frederick |
|
105-x |
Goldwyn |
Edgar's Jonah Day (1920) |
Edward Peil Jr. |
|
105-x |
Metro |
Life's Darn Funny (1921) |
Viola Dana, Gareth Hughes |
| 106-x | First National | The Noose (1928) | Richard Barthelmess |
|
106-x |
Fox |
Over the Wire (19 |
Alice Lake, Alan Roscoe |
|
106-x |
Goldwyn |
Milestones (1920) |
Lewis Stone |
| 106-x | Sennett/First National | When Summer Comes (1922) | Billy Bevan, Mildred June |
|
107-x |
Goldwyn |
Madame X (1920) |
Pauline Frederick, Alan Roscoe |
|
107-x |
Ince/Associated Producers |
Mother O' Mine (1921) |
Lloyd Hughes, Betty Blythe |
| 107-x | Sennett/First National | Bow Wow (1922) | Louise Fazenda, John Rand |
|
108-x |
Goldwyn |
Edgar Takes the Cake (1920) |
Edward Peil Jr. |
|
109-x |
Goldwyn |
It's a Great Life (1920) |
Cullen Landis, Molly Malone |
|
109-x |
Metro |
The Match-Breaker (1921) |
Viola Dana |
|
110-x |
Goldwyn |
Cupid the Cowpuncher (1920) |
Will Rogers, Helene Chadwick |
|
110-x |
Ince |
Hail the Woman (1921) |
Florence Vidor, Madge Bellamy |
|
111-x |
First National |
Lilac Time (1928) |
Colleen Moore, Gary Cooper |
|
112-x |
Metro |
There are No Villians (1921) |
Viola Dana |
| 113-x | First National | The Heart of a Follies Girl (1928) | Billie Dove, Lowell Sherman |
| 113-x | Sterling | Pretty Clothes (1927) | Jobyna Ralston, Gertrude Astor |
|
114-x |
First National |
The Little Shepard of Kingdom Come (1928) |
Richard Barthelmess, Molly O'Day |
| 114-x | Paramount | The World's Great Snare (1916) | Pauline Frederick, Irving Cummings |
|
115-x |
First National |
Lady Be Good (1928) |
Jack Mulhall, Dorothy Mackaill |
|
115-x |
Paramount |
Silks and Satins (1916) |
Marguerite Clark |
|
115-x |
Betty Blythe |
How Women Love (1922) |
Betty Blythe, Gladys Hulette |
|
116-x |
Associated Producers/King Vidor |
Love Never Dies (1921) |
Lloyd Hughes, Madge Bellamy |
|
116-x |
Goldwyn |
The Girl With the Jazz Heart (1921) |
Madge Kennedy |
|
118-x |
First National |
Vamping Venus |
Charlie Murray, Thelma Todd |
|
121-x |
Paramount |
The Woman in the Case (1916) |
Pauline Frederick |
|
122-x |
Metro |
The Hole in the Wall (1921) |
Alice Lake |
|
122-x |
Paramount |
Little Lady Ilene (1916) |
Marguerite Clark |
|
123-x |
First National |
The Yellow Lily (1928) |
Clive Brook, Billie Dove |
|
124-x |
First National |
The Barker (1928) |
Milton Sills, Dorothy Mackaill |
|
126-x |
First National |
Happiness Ahead (1928) |
Colleen Moore, Edmund Lowe |
|
126-x |
Metro |
The Prisoner of Zenda (1922) |
Lewis Stone, Alice Terry |
|
127-x |
First National |
The Whip (1928) |
Dorothy Mackaill, Anna Q. Nilsson |
|
127-x |
Paramount |
Ashes of Embers (1916) |
Pauline Frederick |
|
128-x |
First National |
The Divine Lady (1929) |
Corinne Griffith |
|
130-x |
First National |
Night Watch (1928) |
Billie Dove, Paul Lukas |
|
131-x |
First National |
Out of the Ruins (1928) |
Richard Barthelmess, Robert Frazer |
|
131-x |
Paramount |
Seventeen (1916) |
Jack Pickford |
|
132-x |
First National |
Heart to Heart (1928) |
Mary Astor, Lloyd Hughes |
|
133-x |
Metro |
Trifling Women (1922) |
Barbara La Marr, Ramon Novarro |
| 134-x | First National | Outcast (1928) | Corinne Griffith |
|
134-x |
Paramount |
Coney Island Princess (1916) |
Irene Fenwick |
|
134-x |
Sennett/Pathé |
The Lion and the Souse (1924) |
Charlotte Mineau, Vernon Dent, Andy Clyde |
|
135-x |
Paramount |
Great Expectations (1917) |
Jack Pickford |
| 136-x | First National | Waterfront (1928) | Dorothy Mackaill, Jack Mulhall |
|
136-x |
Paramount |
The Travelling Salesman (1917) |
Frank McIntyre |
|
137-x |
Paramount/Famous Players |
Snow White (1916) |
Marguerite Clark, Creighton Hale |
|
138-x |
Metro |
Where the Pavement Ends (1923) |
Ramon Novarro, Alice Terry |
|
139-x |
Paramount |
A Girl Like That (1917) |
Irene Fenwick |
|
139-x |
Ince/FBO |
Human Wreckage (1923) |
Bessie Love, Dorothy Davenport |
|
143-x |
First National |
His Captive Woman (1929) |
Milton Sills, Dorothy Mackaill |
| 144-x | Famous Players-Lasky/Paramount | Each Pearl a Tear (1916) | Fannie Ward |
|
145-x |
First National |
Synthetic Sin (1929) |
Colleen Moore, Antonio Moreno |
|
145-x |
Paramount/Lasky |
Joan the Woman (1916) |
Geraldine Farrar |
| 146-x | First National | Naughty Baby (1928) | Alice White, Jack Mulhall |
|
147-x |
Metro |
Scaramouche (1923) |
Ramon Novarro, Alice Terry |
| 147-x | Sennett | Riders of the Purple Cows (1924) | Alice Day, Ralph Graves |
|
148-x |
Paramount |
House with the Golden Windows (1916) |
Wallace Reid, Cleo Ridgely |
|
149-x |
Metro |
Eagle's Feather, The (1923) |
James Kirkwood, Mary Alden |
|
149-x |
Paramount |
The Victory of Conscience (1916) |
Cleo Ridgely, Lou Tellegen |
|
153-x |
First National |
Why Be Good? (1929) |
Colleen Moore, Neil Hamilton |
|
157-x |
Sennett/Pathé |
Love's Sweet Piffle (1924) |
Ralph Graves, Vernon Dent, Thelma Hill |
|
159-x |
Goldwyn |
The Wall Flower (1922) |
Colleen Moore, Richard Dix |
|
159-x |
First National |
Smiling Irish Eyes (1929) |
Colleen Moore, James Hall. |
|
159-x |
Metro |
Happiness (1924) |
Laurette Taylor, Hedda Hopper |
|
159-x or F139-x |
Paramount |
A Girl Like That (1917) |
Irene Fenwick, Owen Moore |
| 160-x | Goldwyn | The Sin Flood (1922) | Richard Dix, Helene Chadwick |
|
163-x |
Paramount/Lasky |
Oliver Twist (1916) |
Marie Doro, Hobart Bosworth |
| 165-x | Ince/First National | Christine of the Hungry Heart (1924) | Florence Vidor, Clive Brook |
|
167-x |
Paramount/Lasky |
Each to His Kind (1917) |
Sessua Hayakawa, Tsuru Aoki |
|
172-x |
First National/Warner Brothers |
Footlights and Fools (1929) |
Colleen Moore, Fredric March |
|
172-x |
Goldwyn |
The Christian (1923) |
Richard Dix, Mae Busch |
| 174-x | Goldwyn | Broken Chains (1923) | Colleen Moore, Ernest Torrence |
|
177-x |
Goldwyn |
Eternal Three (1923) |
Hobart Bosworth, Raymond Griffith, Bessie Love |
| 177-x | Sennett/Pathé | His First Flame (1927) | Harry Langdon |
|
178-x |
First National |
The Painted Angel (1929) |
Billie Dove, Edmund Lowe |
| 178.x | Sennett/Pathé | Cold Turkey (1925) | Alice Day |
|
179-x |
Goldwyn (MGM) |
Greed (1923) |
Gibson Gowland, Zasu Pitts |
|
181-x |
First National |
The Love Racket (1929) |
Dorothy Mackaill |
|
184-x |
Fox |
Monte Cristo (1922) |
John Gilbert, Estelle Taylor |
|
185-x |
Goldwyn |
Name the Man (1924) |
Mae Busch, Conrad Nagel |
|
187-x |
Goldwyn |
Day of Faith (1923) |
Eleanor Boardman, Raymond Griffith, Ford Sterling. |
|
188-x |
First National |
The Love Racket (1929) |
Dorothy Mackaill |
|
191-x |
Goldwyn |
Nellie, the Beautiful Cloak Model (1924) |
Claire Windsor, Mae Busch, Raymond Griffith |
|
195-x |
Paramount |
Little Miss Hoover (1918) |
Marguerite Clark |
| 196-x | First National | A Notorious Affair (1930) | Billie Dove, Basil Rathbone |
|
197-x |
MGM |
One Night in Rome (1924) |
Laurette Taylor, Tom Moore |
|
198-x |
MGM |
His Hour (1924) |
John Gilbert, Aileen Pringle |
|
199-x |
MGM |
The Great Divide (1925) |
Alice Terry, Wallace Beery |
|
200-x |
MGM |
Ben Hur (1925) |
Ramon Novarro, Francis X. Bushman |
|
201 |
Metro/Goldwyn |
Married Flirts (1924) |
Pauline Frederick, Conrad Nagel, Mae Busch |
|
202-x |
MGM |
Daddys' Gone A-Hunting (1925) |
Alice Joyce, Percy Marmount |
|
204-x |
First National |
Fine Clothes (1925) |
Lewis Stone, Percy Marmont, Raymond Griffith |
|
207-x |
MGM |
The Snob (1924) |
Norma Shearer, John Gilbert |
|
208-x |
MGM |
The Merry Widow (1925) |
Mae Murray, John Gilbert |
| 208-x | Sennett | Saturday Afternoon (1926) | Harry Langdon, Vernon Dent |
|
209-x |
MGM |
Excuse Me (1925) |
Norma Shearer, Conrad Nagel, Renée Adorée |
| 209-x | Associated Producers | Eve's Leaves (1926) | Leatrice Joy, William Boyd |
|
210-x |
Metro |
The Dixie Handicap (1924) |
Claire Windsor, Frank Keenan |
|
211-x |
MGM |
The Way of a Girl (1925) |
Eleanor Boardman, Matt Moore |
|
213-x |
Vitagraph |
Slaves of Pride (1920) |
Alice Joyce, Percy Marmont |
|
214-x |
MGM |
Confessions of a Queen (1925) |
Alice Terry, Lewis Stone |
|
218-x |
Metropolitan/PDC |
Million Dollar Handicap (1925) |
Vera Reynolds |
|
219-x |
MGM |
Proud Flesh (1925) |
Eleanor Boardman, Harrison Ford |
|
220-x |
Thanhouser |
The Valkrie (1915) |
Ernest Howard |
|
223-x |
MGM |
Slave of Fashion (1925) |
Norma Shearer, Lew Cody |
|
224-x |
Signal/Mutual |
Railroad Raiders (1917) Chapter 4 |
Helen Holmes, Leo Maloney |
| 228.x | Sennett/Pathé | Hesitating Horses (1926) | Alice Day, Eddie Quillan |
|
229-x |
MGM |
The Big Parade(1925) |
John Gilbert, Renee Adoree |
|
230-x |
MGM |
The Midshipman (1925) |
Ramon Novarro, Harriet Hammond |
|
234-x |
MGM |
The Boob (1925) |
Gertrude Olmstead, George K. Arthur |
|
236-x |
Signal/Mutual |
Railroad Raiders (1917) Chapter 8 |
Helen Holmes, Leo Maloney |
|
237-x |
Vitagraph |
The Prey (1920) |
Alice Joyce |
|
238-x |
MGM |
Paris (1926) |
Charles Ray, Joan Crawford |
| 239-x | MGM/Cosmopolitan | The Lights of Old Broadway (1925) | Marion Davies, Conrad Nagel |
|
240-x |
Belasco |
Fifth Avenue (1926) |
Marguerite de la Motte |
|
240-x |
MGM |
La Bohème (1926) |
John Gilbert, Lillian Gish |
|
240-x |
Vitagraph |
The Vice of Fools (1920) |
Alice Joyce |
|
241-x |
MGM |
The Devil's Circus (1926) |
Norma Shearer, Charles Emmett Mack |
|
241 |
Paramount |
Forever (1921) |
Wallace Reid, Elsie Ferguson |
|
242-x |
MGM |
Bright Lights (1925) |
Charles Ray, Pauline Stark |
|
242-x |
Paramount |
Old Wives for New (1918) |
Elliott Dexter, Florence Vidor |
|
242-x |
Sennett/Pathé |
Kitty From Killarney (1926) |
Alice Day, Eddie Quillan |
| 243-x | MGM | The Masked Bride (1925) | Mae Murray, Francis X. Bushman |
|
243-x |
Producer's Distributing Corp. |
The Prince of Pilsen (1926) |
George Sidney, Anita Stewart |
|
246-x |
MGM |
Sally, Irene, and Mary (1925) |
Sally O'Neill, Joan Crawford, Constance Bennett |
|
249-x |
MGM |
The Blackbird (1926) |
Lon Chaney, Renee Adoree |
| 250-x | Paramount | The Source (1918) | Wallace Reid, Ann Little |
| 251-x | MGM | The Barrier (1926) | Lionel Barrymore, Norman Kerry, Marceline Day |
|
254-x |
Cosmopolitan/MGM |
The Torrent (1926) |
Ricardo Cortez, Greta Garbo |
| 255-x | Producers Distributing Corp. | Flame of the Yukon (1926) | Seena Owen |
|
256-x |
MGM |
The Scarlet Letter (1926) |
Lillian Gish, Lars Hanson |
| 256-x | Vitagraph | Peggy Puts It Over (1921) | Alice Calhoun |
|
257-x |
MGM |
The Auction Block (1926) |
Eleanor Boardman, Charles Ray |
|
258-x |
MGM |
Brown of Harvard (1926) |
Jack Pickford, Mary Brian |
| 258-x | Paramount/Artcraft | Till I Come Back to You (1918) | Bryant Washburn, Florence Vidor |
|
259-x |
MGM |
Bardleys the Magnificent (1926) |
John Gilbert, Eleanor Boardman |
| 259-x | Paramount | The Mystery Girl (1918) | Ethel Clayton |
|
260-x |
MGM |
The Gay Deceiver (1926) |
Lew Cody, Marceline Day |
| 261-x | MGM | Heaven On Earth (1927) | Conrad Nagel, Renee Adoree |
|
265-x |
MGM |
The Temptress (1926) |
Greta Garbo, Antonio Moreno |
|
266-x |
MGM |
Tell It to the Marines (1926) |
Lon Chaney, William Haines |
|
266-x |
20th Century - Fox |
Girls' Dormitory (1936) |
Herbert Marshall, Simone Simon |
|
268-x |
Paramount/Lasky |
It Pays to Advertise (1919) |
Bryant Washburn, Lois Wilson |
|
269-x |
MGM |
There You Are (1926) |
Conrad Nagel |
|
270-x |
MGM |
A Certain Young Man (1928) |
Ramon Novarro, Marceline Day |
|
272-x |
MGM |
The Waning Sex (1926) |
Norma Shearer, Conrad Nagel |
|
273-x |
Paramount |
Don't Change Your Husband (1919) |
Gloria Swanson, Elliott Dexter |
|
273-x |
MGM |
Mysterious Island (1929) |
Lionel Barrymore, Lloyd Hughes |
|
273-x |
Sennett |
Catalina, Here I Come (1927) |
Madeline Hurlock, Andy Clyde |
|
274-x |
MGM/Cosmopolitan |
The Red Mill (1927) |
Marion Davies, Owen Moore |
|
275-x |
MGM |
The Road to Mandalay (1926) |
Lon Chaney, Lois Moran |
|
276-x |
MGM |
The Trail of '98 (28) |
Ralph Forbes, Delores Del Rio |
|
278-x |
MGM |
Altars of Desire (1928) |
Mae Murray, Conway Tearle |
|
279-x |
MGM |
Upstage (1926) |
Norma Shearer, Oscar Shaw |
|
280-x |
MGM |
Tin Hats (1927) |
Conrad Nagel, Claire Windsor |
|
281-x |
MGM |
Annie Laurie (1927) |
Lillian Gish, Norman Kerry |
|
282-x |
MGM |
Flesh and the Devil (1926) |
John Gilbert, Greta Garbo |
|
283-x |
MGM |
The Understanding Heart (1928) |
Joan Crawford, Rockliffe Fellowes |
|
284-x |
MGM |
Slide, Kelly, Slide (1927) |
William Haines, Sally O'Neil |
|
285-x |
MGM |
Wet Paint (1926) |
Tim McCoy, Pauline Starke |
|
286-x |
MGM |
Rookies (1927) |
Karl Dane, Marceline Day |
|
287-x |
MGM |
Lovers (1927) |
Ramon Novarro, Alice Terry |
|
288-x |
MGM |
Exit Smiling (1926) |
Beatrice Lille, Jack Pickford |
|
289-x |
MGM |
A Little Journey (1927) |
Claire Windsor, William Haines |
| 292-x | Paramount | Secret Service (1919) | Robert Warwick, Wanda Hawley |
|
293-x |
MGM |
The Crowd (1928) |
James Murray, Eleanor Boardman |
| 293.x | Sennett/Pathé | His Unlucky Night (1928) | Billy Bevan, Carole Lombard |
|
294-x |
MGM |
The Show (1927) |
John Gilbert, Renee Adoree |
| 295-x | MGM | California (1927) | Tim McCoy, Dorothy Sebastian |
|
295-x |
Thanhouser |
The Romance of the Hollow Tree (1916) |
Kathryn Adams |
|
297-x |
MGM |
Tillie the Toiler (1927) |
Marion Davies, Matt Moore |
|
298-x |
MGM |
The Demi-Bride (1927) |
Norma Shearer, Lew Cody |
| 299-x | MGM | Body and Soul (1927) | Aileen Pringle, Norman Kerry |
|
300-x |
MGM |
The Wind (1928) |
Lillian Gish, Lars Hanson |
|
301-x |
Allied Pictures |
The Stoker (1932) |
Monte Blue |
|
301-x |
MGM |
Mr. Wu (1927) |
Lon Chaney, Louise Dresser |
| 301-x | Pathé | The Rush Hour (1928) | Marie Prevost, Harrison Ford |
|
302-x |
MGM |
The Student Prince in Old Heidelberg (1927) |
Ramon Novarro, Norma Shearer |
|
305-x |
MGM |
The Unknown (1926) |
Lon Chaney, Joan Crawford |
|
306-x |
MGM |
On the Boulevard (1927) |
Lew Cody, Renee Adoree |
| 306.x | Sennett/Pathé | The Rodeo (1929) | Raymond McKee, Mary Ann Jackson |
|
308-x |
MGM |
The Bugle Call (1927) |
Claire Windsor, Jackie Coogan |
|
310-x |
MGM |
Love (1927) |
Greta Garbo, John Gilbert |
|
311-x |
Cosmopolitan/MGM |
Captain Salvation (1927) |
Lars Hanson, Marceline Day |
|
313-x |
Cosmopolitan/MGM |
Quality Street (1927) |
Marion Davies, Conrad Nagel |
| 314-x | MGM | Twelve Miles Out (1927) | John Gilbert, Joan Crawford |
|
315-x |
MGM |
Spring Fever (1927) |
William Haines, Joan Crawford |
|
316-x |
MGM |
Adam and Evil(1927) |
Lew Cody, Aileen Pringle |
|
317-x |
Thanhouser |
John Brewster's Wife (1916) |
Ethyle Cooke |
|
318-x |
Thanhouser |
King Lear (1916) |
Frederick Warde |
|
319-x |
MGM |
After Midnight (1927) |
Norma Shearer, Lawrence Gray |
|
319-1-x |
Universal |
The Unexpected Father (1932) |
Slim Summerville, Zasu Pitts |
|
320-x |
MGM |
Mockery (1927) |
Lon Chaney, Barbara Bedford |
|
321-x |
MGM |
In Old Kentucky (1927) |
James Murray, Helene Costello |
|
322-x |
MGM |
The Road to Romance (1927) |
Ramon Novarro, Marceline Day |
|
322-x |
Thanhouser |
The Shine Girl (1916) |
Gladys Hulette |
|
323-x |
Pathe |
The Night Flyer (1927) |
William Boyd, Jobyna Ralston |
|
324-x |
MGM |
Man, Woman, and Sin (1927) |
John Gilbert, Jeanne Eagles |
|
325-x |
MGM |
Rose-Marie (1928) |
Joan Crawford, James Murray |
|
326-x |
MGM |
Buttons (1927) |
Jackie Coogan, Lars Hanson |
|
327-x |
MGM |
The Enemy (1928) |
Lillian Gish, Lars Hanson |
|
329-x |
MGM |
The Fair Co-Ed (1927) |
Marion Davies, Johnny Mack Brown |
|
330-x |
MGM |
London After Midnight (1928) |
Lon Chaney, Marceline Day |
|
331-x |
Cosmopolitan/MGM |
The Lovelorn (1927) |
Sally O'Neil, Molly O'Day |
|
332-x |
MGM |
The Divine Woman (1928) |
Greta Garbo, Lars Hanson |
|
334-x |
Thanhouser |
Prudence the Pirate (1916) |
Gladys Hulette, Flora Finch |
|
335-x |
MGM |
Wickedness Preferred (1928) |
Lew Cody, Aileen Pringle |
|
337-x |
MGM |
West Point (1927) |
William Haines, Joan Crawford |
|
337-x |
Sennett/Triangle |
Their Neighbor's Baby (1918) |
Raymond Griffith, Rae Godfrey |
|
338-x |
MGM |
White Shadows of the South Seas (1928) |
Monte Blue, Raquel Torres |
| 338-x | Triangle | The Answer (1918) | Alma Rubens |
|
341-x |
MGM |
Spoilers of the West (1927) |
Tim McCoy, Marjorie Daw |
|
342-x |
MGM |
Under the Black Eagle (1927) |
Ralph Forbes, Marceline Day |
|
343-x |
MGM |
The Cossacks (1928) |
John Gilbert, Renee Adoree |
| 343-x | Paramount | A City Sparrow (1920) | Ethel Clayton, William Boyd |
|
344-x |
MGM |
Forbidden Hours (1928) |
Ramon Novarro, Renee Adoree |
|
345-x |
MGM |
The Patsy (1928) |
Marion Davies, Marie Dressler |
|
346-x |
MGM |
The Big City (1928) |
Lon Chaney, Marceline Day |
|
347-x |
MGM |
The Law and the Range (1928) |
Tim McCoy, Joan Crawford |
|
348-x |
MGM |
The Latest from Paris (1928) |
Norma Shearer |
|
350-x |
MGM |
The Smart Set (1928) |
William Haines, Alice Day |
|
352-x |
MGM |
Laugh Clown Laugh (1928) |
Lon Chaney, Loretta Young |
|
354-x |
MGM |
Across to Singapore (1928) |
Ramon Novarro, Joan Crawford |
|
355-x |
MGM |
Detectives (1928) |
Karl Dane, George K. Arthur |
|
357-x |
Cosmopolitan/MGM |
Tide of Empire (1929) |
Renee Adoree, George Duryea |
|
359-x |
Cosmopolitan/MGM |
Diamond Handcuffs (1928) |
Eleanor Boardman, Lawrence Gray |
|
360-x |
Cosmopolitan/MGM |
Show People (1928) |
Marion Davies, William Haines |
|
361-x |
MGM |
Beau Broadway (1928) |
Lew Cody, Aileen Pringle, Sue Carol |
|
364-x |
MGM |
Our Dancing Daughters (1928) |
Joan Crawford, Johnny Mack Brown |
|
366-x |
MGM |
The Cameraman (1928) |
Buster Keaton, Marceline Day |
|
366-x |
Monogram |
Women Must Dress (1935) |
Minna Gombell, Hardie Albright |
|
367-x |
Paramount |
The Affairs of Anatol (1921) |
Wallace Reid, Gloria Swanson |
|
367-x |
MGM |
The Bushranger (1928) |
Tim McCoy, Marian Douglas |
|
368-x and L368-x |
Lasky/Paramount |
Sacred and Profane Love (1921) |
Elsie Ferguson, Conrad Nagel |
|
370-x |
MGM |
While the City Sleeps (1928) |
Lon Chaney, Anita Page |
|
371-x |
MGM |
Brotherly Love (1928) |
Karl Dane, George K. Arthur |
|
372-x |
MGM |
Excess Baggage (1928) |
William Haines, Josephine Dunn |
|
373-x |
MGM |
Four Walls (1929) |
John Gilbert, Joan Crawford |
|
374-x |
MGM |
The Mysterious Lady (1928) |
Greta Garbo, Conrad Nagel |
|
375-x |
Cosmopolitan/MGM |
The Cardboard Lover (1928) |
Marion Davies, Jetta Goudal |
|
376-x |
MGM |
The Masks of the Devil (1928) |
John Gilbert, Alma Rubens |
|
378-x |
MGM |
West of Zanzibar(1928) |
Lon Chaney, Lionel Barrymore |
| 379-x | MGM | A Single Man (1929) | Aileen Pringle, Lew Cody |
|
380-x |
MGM |
Woman of Affairs (1928) |
Greta Garbo, John Gilbert |
|
383-x |
MGM |
Alias Jimmy Valentine (1929) |
William Haines, Lionel Barymore |
|
384-x |
Paramount |
Fool's Paradise (1921) |
Dorothy Dalton, Conrad Nagel |
| 387-x | MGM | Honeymoon (1928) | Polly Moran, Harry Gribbon |
| 388-x | MGM | A Man's Man (1929) | William Haines, Mae Busch |
|
391-x |
Paramount |
The Sheik (1921) |
Rudolph Valentino, Agnes Ayers |
|
392-x |
MGM |
The Broadway Melody (1929) |
Anita Page, Bessie Love |
| 393-x | MGM | The Pagan (1929) | Ramon Novarro, Dorothy Janis |
|
396-x |
MGM |
All at Sea (1929) |
Karl Dane, George K. Arthur |
| 401-x | Paramount | Rent Free (1922) | Wallace Reid, Lila Lee |
| 403-x | Paramount | Miss Lulu Bett (1921) | Lois Wilson, Milton Sills |
| 404-x | Producers Releasing (PRC) | Men on Her Mind (1944) | Mary Beth Hughes |
| 405-x | Paramount | The Cradle (1922) | Ethel Clayton |
|
406-x |
MGM |
The Duke Steps Out (1929) |
William Haines, Joan Crawford |
|
408-x |
MGM |
Dynamite (1929) |
Kay Johnson, Charles Bickford |
|
409-x |
Paramount |
Her Husband's Trademark (1922) |
Gloria Swanson, Charles Ogle |
|
410-x |
Pathe |
Craig's Wife (1928) |
Irene Rich, Warner Baxter |
|
412-x |
MGM |
The Trial of Mary Dugan (1929) |
Norma Shearer, Lewis Stone |
|
412-x |
Paramount |
The World Champion (1922) |
Wallace Reid, Lois Wilson |
|
413-x |
MGM |
Our Modern Maidens (1929) |
Joan Crawford, Rod LaRocque |
|
413-x |
Paramount/Realart |
The Top of New York (1922) |
May McAvoy |
|
417-x |
MGM |
The Idle Rich (1929) |
Conred Nagel, Bessie Love |
|
418-x |
MGM |
Alibi (1929) |
Chester Morris, Mae Busch |
| 419-x or 430-x | Paramount | Beyond the Rocks (1922) | Gloria Swanson, Rudolph Valentino |
| 420-x | MGM | Navy Blues (1929) | William Haines, Anita Page |
| 422-x | Paramount | Across the Continent (1922) | Wallace Reid, Mary MacLaren |
|
423-x |
Paramount |
The Green Temptation (1922) |
Betty Compson, Theodore Kosloff |
|
430-x or 419-x |
Paramount |
Beyond the Rocks (1922) |
Gloria Swanson, Rudolph Valentino |
|
431-x |
MGM |
Speedway (1929) |
William Haines, Anita Page |
| 431-x | Paramount | North of the Rio Grande (1922) | Jack Holt, Bebe Daniels |
|
436-x |
Paramount |
Man Unconquerable (1922) |
Jack Holt |
|
440-x |
MGM |
The Kiss (1929) |
Greta Garbo, Lew Ayres |
|
443-x |
MGM |
Devil-May-Care (1929) |
Ramon Novarro |
|
452-x |
Paramount |
Our Leading Citizen (1922) |
Thomas Meighan, Lois Wilson |
|
455-x or 1272A-x |
Paramount |
Blood and Sand (1922) |
Rudolph Valentino, Lila Lee |
|
461-x or 513-x |
Paramount |
Adam's Rib (1923) |
Milton Sills, Anna Q. Nilsson |
|
463-x |
MGM |
Montana Moon (1930) |
Ricardo Cortez, Dorothy Sebastian |
| 465-x | MGM | The Girl Said No (1930) | William Haines, Leila Hyams |
|
467-x |
Paramount |
Borderland (1922) |
Agnes Ayres, Milton Sills |
|
469-x |
Paramount |
Prodigal Daughters (1923) |
Gloria Swanson, Ralph Graves |
|
475-x |
RKO |
Delightful Rogue (1929) |
Rod La Rocque |
|
477-x |
Paramount |
Hollywood (1923) |
Hope Drown, many cameos |
|
478-x |
Paramount |
The Cheat (1923) |
Pola Negri, Jack Holt |
| 480-x | MGM | Good News (1930) | Bessie Love |
|
485-x |
Paramount |
The Silent Partner (1923) |
Leatrice Joy |
|
486-x or 529-x |
Paramount |
The Ten Commandments (1923) |
Richard Dix, Leatrice Joy, Nita Naldi |
| 487-x | MGM | Way Out West (1930) | William Haines, Leila Hyams |
|
488-x |
Paramount |
The World's Applause (1923) |
Bebe Daniels, Lewis Stone |
| 490-x | MGM | Billy the Kid (1930) | Johnny Mack Brown, Wallace Beery |
|
490-x |
Paramount |
The Spanish Dancer (1923) |
Pola Negri, Wallace Beery |
|
497-x |
Paramount |
Wild Bill Hickock (1923) |
William S. Hart, Ethel Grey Terry |
|
506-x |
Paramount |
Triumph (1924) |
Leatrice Joy, Victor Varconi, Zasu Pitts |
|
508-x |
MGM |
Mare Nostrum (1926) |
Alice Terry, Antonio Moreno |
|
508-x |
Paramount |
Dawn of a Tomorrow (1924) |
Jaqueline Logan, Raymond Griffith |
|
512-x |
Paramount |
The Covered Wagon (1923) |
J. Warren Kerrigan, Lois Wilson |
|
513-x or 461-x |
Paramount |
Adam's Rib (1923) |
Milton Sills, Anna Q. Nilsson |
|
518-x |
Paramount |
Bluebeard's Eighth Wife (1923) |
Gloria Swanson |
| 518-x or 646-x | Paramount | The Bedroom Window (1924) | May McAvoy, Ethel Wales |
|
519-x |
Paramount |
Bella Donna (1923) |
Pola Negri, Conrad Nagel |
|
529-x or 486-x |
Paramount |
The Ten Commandments (1923) |
Rod La Rocque, Leatrice Joy |
|
530-x |
Paramount |
The Heart Raider (1923) |
Agnes Ayres, Charles Ruggles |
|
533-x or 675-x |
Paramount |
North of '36 (1924) |
Lois Wilson, Jack Holt |
| 541-x-x | Universal | The Doomed Battalion (1932) | Luis Trenker |
|
543-x |
Triangle |
Golden Rule Kate (1917) |
Louise Glaum, William Conklin, John Gilbert |
|
546-x |
Paramount |
Goose Hangs High (1925) |
Constance Bennett, Esther Ralston |
|
547-x |
Paramount |
New Lives For Old (1926) |
Betty Compson |
| 550-x | RKO | Three Who Loved (1931) | Betty Compson, Conrad Nagel |
| 550-x | Paramount | Beggar on Horseback (1925) | Edward Everett Horton, Esther Ralston |
| 554-x or 712-x | Paramount | The Night Club (1925) | Raymond Griffith, Vera Reynolds |
|
556-x |
Triangle |
One Shot Ross (1917) |
Roy Stewart, Josie Sedgwick |
|
558-x or 716-x |
Paramount |
Are Parents People? (1924) |
Adolphe Menjou, Florence Vidor, Betty Bronson |
| 559-x or 722-x | Paramount | Welcome Home (1925) | Warner Baxter, Lois Wilson |
| 566-x | Paramount | Wild Horse Mesa (1925) | Jack Holt, Billie Dove |
|
567-x |
Paramount |
Not So Long Ago (1925) |
Betty Bronson, Ricardo Cortez |
| 569-x | Paramount | The Coast of Folly (1925) | Gloria Swanson |
| 570-x or 811-x | Paramount | The Trouble With Wives (1925) | Florence Vidor, Tom Moore |
|
573-x or 804-x |
Paramount |
The Pony Express (1925) |
Betty Compson, Ricardo Cortez, Wallace Beery |
|
581-x |
Paramount |
Lord Jim (1925) |
Percy Marmount, Shirley Mason |
|
587-x also 840-x |
Paramount |
Hands Up! (1925) |
Raymond Griffith, Mack Swain |
| 587-x or BP-x | RKO | Bird of Paradise (1932) | Delores del Rio, Joel McCrea |
|
598-x also 918-x |
Paramount |
Wet Paint (1926) |
Raymond Griffith, Helene Costello |
|
601-x |
Paramount |
Lawful Larceny (1923) |
Hope Hampton, Nita Naldi |
|
605-x |
Triangle |
The Boss of the Lazy 'Y' (1918) |
Roy Stewart |
| 607-x | Paramount | Born to the West (1926) | Jack Holt |
|
608-x |
MGM |
Strange Interlude (1932) |
Norma Shearer, Clark Gable |
|
610-x |
Paramount |
His Children's Children (1923) |
Bebe Daniels, James Rennie |
| 611-x or 1006-x | Paramount | You'd Be Surprised (1926) | Raymond Griffith, Dorothy Sebastian |
|
612-x or 1008-x |
Paramount |
The Campus Flirt (1926) |
Bebe Daniels, James Hall |
|
613-x or 1005-x |
Paramount |
Kid Boots (1926) |
Clara Bow, Eddie Cantor |
|
614-x |
Paramount |
The Light That Failed (1923) |
Jacqueline Logan |
|
617-x |
Paramount |
West of the Water Tower (1923) |
Glenn Hunter, May McAvoy |
|
618-x or 1017-x |
Paramount |
Wings (1927) |
Richard Arlen, Clara Bow |
|
619-x |
Nestor/Universal |
By the Sun's Rays (1914) |
Lon Chaney |
|
622-x |
Paramount |
Barbed Wire (1927) |
Pola Negri, Clive Brook |
|
626-x |
Paramount |
Pied Piper Malone (1924) |
Thomas Meighan, Lois Wilson |
|
627-x |
MGM |
Speak Easily (1932) |
Buster Keaton, Thelma Todd |
|
628-x |
Paramount |
The Next Corner (1924) |
Conway Tearle, Lon Chaney |
|
631-x |
Triangle |
The Fly God (1918) |
Roy Stewart, Edward Peil |
|
632-x |
Paramount |
Afraid to Love (1927) |
Florence Vidor, Clive Brook |
|
633-x or 1056-x |
Paramount |
Ritzy (1927) |
Betty Bronson, James Hall |
|
634-x |
MGM |
Red Dust (1932) |
Clark Gable, Mary Astor |
|
634-x |
Paramount |
Wedding Bills (1927) |
Raymond Griffith, Anne Sheridan |
|
635-x |
Paramount |
The Dawn of Tomorrow (1924) |
Jaqueline Logan, Raymond Griffith |
| 635-x | Republic | Join the Marines (1937) | Paul Kelly, June Travis |
| 639-x | Paramount | Triumph (1924) | Leatrice Joy, Victor Varconi |
|
640-x or 1057-x |
Paramount |
Rough House Rosie (1927) |
Clara Bow |
|
641-x |
Paramount |
Arizona Bound (1927) |
Gary Cooper, Betty Jewel |
| 642-x | Paramount | Wanderer of the Wasteland (1924) | Jack Holt, Billie Dove |
|
643-x |
Paramount |
Monsieur Beaucaire (1924) |
Rudolph Valentino |
|
646-x or 518-x |
Paramount |
The Bedroom Window (1924) |
May McAvoy, Ethel Wales |
|
646-x or 1066-x |
Paramount |
Drums of the Desert (1927) |
Warner Baxter, Ford Sterling |
| 647-x | Paramount | Underworld (1927) | George Bancroft, Evelyn Brent |
|
648-x or 1070-x |
Paramount |
Time to Love (1927) |
Raymond Grifith, William Powell |
| 650-x | Paramount | The Enemy Sex (1924) | Betty Compson, Percy Marmont |
|
651-x |
Paramount |
Icebound (1924) |
Richard Dix, Lois Wilson |
|
652-x |
Paramount |
Firemen, Save My Child(1928) |
Wallace Beery, Raymond Hatton |
|
653-x or 1073-x |
Paramount |
The Last Outlaw (1927) |
Gary Cooper, Betty Jewel |
|
654-x |
Paramount |
Changing Husbands (1924) |
Leatrice Joy, Raymond Griffith |
|
655-x |
Paramount |
The Alaskan (1924) |
Thomas Meighan, Estelle Taylor |
|
655-x or 1080-x |
Paramount |
Hula (1927) |
Clara Bow, Clive Brook |
|
656-x |
Paramount |
Lily of the Dust (1924) |
Pola Negri, Raymond Griffith |
| 658-x | Paramount | The Man Who Fights Along (1924) | William Farnum Lois Wilson |
|
659-x |
Paramount |
Beau Sabreur (1928) |
Gary Cooper, Evelyn Brent |
|
662-x |
Paramount |
Empty Hands (1924) |
Jack Holt, Norma Shearer |
| 662-x | Warner Brothers | Life With Father (1947) | William Powell |
|
663-x |
Paramount |
The Female (1924) |
Betty Compson, Warner Baxter |
|
664-x |
Paramount |
Feet of Clay (1924) |
Vera Reynolds, Rod La Rocque |
|
665-x |
Paramount |
Open All Night (1924) |
Adolphe Menjou, Jetta Goudal, Raymond Griffith |
|
665-x or 1087-x |
Paramount |
The City Gone Wild (1927) |
Thomas Meighan, Louise Brooks |
| 667-x | Paramount | The City That Never Sleeps (1924) | Louise Dresser, Ricardo Cortez |
|
668-x |
Paramount |
The Fast Set (1924) |
Betty Compson, Adolphe Menjou |
| 669-x | Paramount | Wages of Virtue (1924) | Ben Lyons, Gloria Swanson |
| 670-x | Triangle | Restless Souls (1919) | Alma Rubens |
|
673-x |
Paramount |
Forbidden Paradise (1924) |
Pola Negri, Rob La Rocque |
|
674-x |
Paramount |
Forty Winks (1925) |
Raymond Griffith, Anna May Wong |
|
675-x or 533-x |
Paramount |
North of '36 (1924) |
Lois Wilson, Jack Holt |
|
676-x |
Paramount |
Garden of Weeds (1924) |
Betty Compson, Warner Baxter |
|
677-x |
Paramount |
Locked Doors (1925) |
Betty Compson, Theodore Roberts |
| 677-x | Warner Brothers | Wallflower (1948) | Janis Paige, Edward Arnold |
| 679-x | Paramount | Tongues of Flame (1924) | Thomas Meighan, Bessie Love |
|
680-x |
Paramount |
Peter Pan (1924) |
Betty Bronson, Mary Brian |
| 689-x or 1107-x | Paramount | The Last Command (1928) | Emil Jannings, William Powell |
|
681-x or 1106-x |
Paramount |
Legion of the Condemned (1928) |
Gary Cooper, Fay Wray |
|
683-x |
Paramount |
A Man Must Live (1925) |
Richard Dix |
|
683-x or 1103-x |
Paramount |
Abie's Irish Rose (1928) |
Buddy Rogers, Nancy Carroll |
|
688-x |
Paramount |
Code of the West (1925) |
Owen Moore, Constance Bennett |
|
692-x |
Paramount |
Madame Sans-Gene (1925) |
Gloria Swanson |
|
692-x |
Universal |
Thrown to the Lions (1916) |
Mary Fuller |
|
693-x |
Paramount |
Miss Bluebeard (1925) |
Bebe Daniels, Raymond Griffith |
|
694-x |
Paramount |
Salome of the Tenements (1925) |
Jetta Goudal |
| 697-x | Educational | Move Along (1926) | Lloyd Hamilton |
|
698-x |
Paramount |
Coming Through (1925) |
Thomas Meighan, Wallace Beery |
| 699-x | Paramount | His Tiger Wife (1928) | Adolphe Menjou, Evelyn Brent |
|
700-x |
Paramount |
Too Many Kisses (1925) |
Richard Dix, William Powell, Harpo Marx |
|
701-x |
Paramount |
The Thundering Herd (1925) |
Jack Holt, Lois Wilson |
|
702-x |
Paramount |
The Air Mail (1925) |
Warner Baxter, Billie Dove |
|
703-x |
Paramount |
The Spainard (1925) |
Ricardo Cortez, Jetta Goudal |
|
706-x |
Paramount |
The Crowded Hour (1925) |
Bebe Daniels, Kenneth Harlan |
|
708-x |
Paramount |
A Kiss in the Dark (1925) |
Adolphe Menjou, Aileen Pringle |
|
709-x |
Paramount |
Forgotten Faces (1928) |
Mary Brian, Clive Brook |
|
710-x |
Paramount |
The Dressmaker From Paris (1925) |
Leatrice Joy, Ernest Torrence |
|
710-x |
Paramount |
Beggars of Life (1928) |
Louise Brooks, Richard Arlen |
|
711-x |
Paramount |
The Charmer (1925) |
Pola Negri |
|
711-x |
Paramount |
Just Married (1928) |
James Hall, Ruth Taylor |
|
712-x or 554-x |
Paramount |
The Night Club (1925) |
Raymond Griffith, Vera Reynolds, Wallace Beery |
| 714-x | Paramount | The Little French Girl (1925) | Esther Ralston, Mary Brian |
|
716-x |
Paramount |
Are Parents People (1925) |
Adolphe Menjou, Florence Vidor |
|
717-x |
Paramount |
In the Name of Love (1925) |
Wallace Beery, Raymond Hatton |
|
717-x |
Paramount |
Interference (1928) |
William Powell, Evelyn Brent |
|
719-x |
Paramount |
The Manicure Girl (1925) |
Bebe Daniels |
|
720-x |
Paramount |
The Shock Punch (1925) |
Richard Dix, Frances Howard |
|
722-x or 559-x |
Paramount |
Welcome Home (1925) |
Warner Baxter, Lois Wilson |
| 723-x | Paramount | Someone to Love (1928) | Mary Brian, Charles "Buddy" Rogers |
|
724-x |
Paramount |
Grounds for Divorce (1925) |
Florence Vidor, Matt Moore |
|
725-x |
Paramount |
Lost a Wife (1925) |
Adolphe Menjou, Greta Nisson |
|
726-x |
Paramount |
Paths to Paradise (1926) |
Raymond Griffith, Betty Compson |
| 727-x | Paramount | The Light of Western Stars (1925) | Jack Holt, Billie Dove |
|
730-x |
Universal/Bluebird |
Broken Fetters (1916) |
Violet Mersereau, John George |
|
743-x or 1181-x |
Paramount |
Betrayal (1929) |
Emil Jannings, Esther Ralston |
|
746-x |
MGM |
The Thin Man (1934) |
William Powell, Myrna Loy |
| 767-x or 1164-x | Paramount | The Saturday Night Kid (1929) | Clara Bow, Jean Arthur |
|
778-x |
Universal |
My Man Godfrey (1936) |
William Powell, Carole Lombard |
|
783-x |
Paramount |
The Fleet's In (1928) |
Clara Bow |
| 790-x | Universal | The Girl on the Front Page (1936) | Edmund Lowe, Gloria Stuart |
|
799-x |
Republic |
Woman Doctor (1939) |
Henry Wilcoxon |
|
799-x |
20th Century-Fox |
For Heaven's Sake (1950) |
Clifton Webb, Joan Bennett, Robert Cummings |
|
800-x |
Paramount |
The Wanderer (1925) |
Greta Nissen, Wallace Beery |
| 804-x or 573-x | Paramount | The Pony Express (1925) | Ricardo Cortez, Betty Compson |
|
807-x |
Paramount |
Not So Long Ago (1925) |
Betty Bronson, Ricardo Cortez |
|
809-x |
Paramount |
A Son of His Father (1925) |
Warner Baxter, Bessie Love |
| 809-x | Warner Brothers | Battle Cry (1955) | Van Heflin, Tab Hunter |
|
810-x |
Paramount |
Cobra (1925) |
Rudolph Valentino, Nita Naldi |
| 811-x or 570-x | Paramount | The Trouble With Wives (1925) | Florence Vidor, Tom Moore |
|
814-x |
Paramount |
The Golden Princess (1925) |
Betty Bronson, Edgar Kennedy, Neil Hamilton |
|
815-x |
Paramount |
A Regular Fellow (1925) |
Raymond Griffith, Mary Brian |
|
816-x |
Paramount |
The Vanishing American (1925) |
Richard Dix, Lois Wilson |
|
817-x |
Paramount |
The Best People (1925) |
Warner Baxter, Esther Ralston |
|
818-x |
Paramount |
Ancient Highway (1925) |
Jack Holt, Billie Dove |
|
819-x |
Paramount |
That Royle Girl (1926) |
W.C. Fields, Carole Dempster |
|
821-x |
Paramount |
Grand Dutchess and the Waiter, The (1926) |
Adolphe Menjou, Florence Vidor |
|
830-x |
Paramount |
Stage Struck (1925) |
Gloria Swanson, Ford Sterling |
|
832-x |
Paramount |
Irish Luck (1925) |
Thomas Meighan, Lois Wilson |
|
834-x |
Paramount |
American Venus (1926) |
Esther Ralston, Louise Brooks |
|
836-x |
Paramount |
The Song and Dance Man (1926) |
Tom Moore, Bessie Love |
|
837-x |
Paramount |
Aloma of the South Seas (1926) |
William Powell |
|
838-x |
Paramount |
Woman of the World (1925) |
Pola Negri |
|
840-x (also 587-x) |
Paramount |
Hands Up! (1925) |
Raymond Griffith, Mack Swain |
|
850-x |
Universal |
My Man Godfrey (1957) |
David Niven, June Allyson |
|
859-x |
MGM |
A Night at the Opera (1935) |
The Marx Brothers |
| 902-x | Paramount | Behind the Front (1926) | Wallace Beery, Mary Brian |
| 904-x | Republic | Rovin' Tumbleweeds (1939) | Gene Autry, Mary Carlisle |
|
905-x |
Paramount |
Dancing Mothers (1926) |
Alice Joyce, Clara Bow |
| 908-x | Columbia | The Howards of Virginia (1940) | Cary Grant, Martha Scott |
|
910-x |
Paramount |
Miss Brewster's Millions (1926) |
Bebe Daniels, Ford Sterling |
|
911-x |
Paramount |
The Crown of Lies (1926) |
Pola Negri |
|
912-x |
Paramount |
The New Klondike (1926) |
Thomas Meighan |
|
913-x |
Paramount |
Let's Get Married (1926) |
Richard Dix, Lois Wilson |
|
914-x |
Paramount |
The Blind Goddess (1926) |
Jack Holt, Ernest Torrence |
|
916-x |
Paramount |
The Cat's Pajamas (1926) |
Betty Bronson, Ricardo Cortez |
|
917-x |
Paramount |
Old Ironsides (1926) |
Wallace Beery, Charles Farrell, Esther Ralston |
|
918-x (also 598-x) |
Paramount |
Wet Paint (1926) |
Raymond Griffith, Helene Costello |
|
919-x |
Paramount |
The Rough Riders (1927) |
Noah Beery, Mary Astor |
|
920-x |
Paramount |
The Runaway (1926) |
Clara Bow, William Powell |
|
923-x |
Paramount |
The Rainmaker (1926) |
William Collier Jr., Georgia Hale |
|
925-x |
Paramount |
Beau Geste (1927) |
Ronald Colman, Alice Joyce |
|
927-x |
Paramount |
Palm Beach Girl (1926) |
Bebe Daniels |
|
928-x |
Paramount |
It's the Old Army Game (1928) |
W. C. Fields, Louise Brooks |
|
929-x |
Paramount |
Good and Naughty (1926) |
Pola Negri, Ford Sterling. |
|
930-x |
Paramount |
Born to the West (1926) |
Jack Holt, Raymond Hatton |
|
933-x |
MGM |
Old Hutch (1936) |
Wallace Beery, Cecilia Parker |
|
934-x |
Paramount |
You Never Know Women (1926) |
Florence Vidor, Lowell Sherman |
|
935-x |
Paramount |
Mantrap (1926) |
Ernest Torrence, Clara Bow |
|
953-x |
Vitagraph |
Let Not Man Put Asunder (1924) |
Lou Tellegen, Pauline Frederick |
|
959-x |
MGM |
After the Thin Man (1936) |
William Powell, Myrna Loy |
|
988-x |
20th Century-Fox |
The Inn of the Sixth Happiness (1958) |
Ingrid Bergman, Curt Jurgens |
|
1002-x |
Paramount |
The Show Off (1926) |
Ford Sterling, Louise Brooks |
|
1004-x |
Paramount |
The Great Gatsby (1926) |
Warner Baxter, Lois Wilson |
|
1005-x or 613-x |
Paramount |
Kid Boots (1926) |
Clara Bow, Eddie Cantor |
|
1006-x |
Paramount |
You'd Be Surprised (1926) |
Raymond Griffith, Dorothy Sebastian |
|
1007-x |
Paramount |
Forlorn River (1926) |
Jack Holt, Raymond Hatton |
| 1007-x | MGM | Live, Love, Learn (1937) | Robert Montgomery, Rosiland Russell |
|
1008-x or 612-x |
Paramount |
The Campus Flirt (1926) |
Bebe Daniels, James Hall |
|
1012-x |
Paramount |
The Wedding March (1928) or The Honeymoon (1929) |
Erich Von Stroheim, Fay Wray |
|
1014-x |
Paramount |
So's Your Old Man (1926) |
W.C. Fields, Alice Joyce |
|
1015-x |
Paramount |
Hotel Imperial (1927) |
Pola Negri, James Hall |
|
1016-x |
Paramount |
Everybody's Acting(1926) |
Betty Bronson, Ford Sterling |
|
1017-x or 618-x |
Paramount |
Wings (1927) |
Richard Arlen, Clara Bow |
|
1023-x |
Paramount |
The Popular Sin (1926) |
Florence Vidor, Clive Brook |
|
1024-x |
Paramount/Harold Lloyd |
The Kid Brother (1927) |
Harold Lloyd, Jobyna Ralston |
|
1030-x |
Paramount |
The Canadian (1926) |
Thomas Meighan |
|
1036-x |
Paramount |
Casey at the Bat (1927) |
Wallace Beery, Zasu Pitts |
|
1037-x |
Paramount |
Love's Greatest Mistake (1927) |
Evelyn Brent, William Powell |
|
1038-x |
Paramount |
The Potters (1927) |
W. C. Fields, Mary Alden |
|
1040-x |
Paramount |
Children of Divorce (1927) |
Clara Bow, Gary Cooper |
|
1043-x |
Paramount |
Special Delivery (1927) |
Eddie Cantor, William Powell |
| 1046-x | Paramount | Cabaret (1927) | Gilda Gray, Tom Moore |
| 1051-x | Paramount | The Telephone Girl (1927) | Madge Bellamy, Warner Baxter |
|
1052-x |
Paramount |
Rubber Heels (1927) |
Ed Wynn, Chester Conklin |
|
1053-x |
Paramount |
Wedding Bill$ (1927) |
Raymond Griffith |
|
1054-x |
Paramount |
Underworld (1927) |
Evelyn Brent, Clive Brook |
|
1056-x or 633-x |
Paramount |
Ritzy (1927) |
Betty Bronson, James Hall |
|
1057-x or 640-x |
Paramount |
Rough House Rosie (1927) |
Clara Bow, |
|
1059-x |
Paramount |
Whirlwind of Youth (1927) |
Vera Veronina, Donald Keith |
| 1060-x | Paramount | Running Wild (1927) | W. C. Fields, Mary Brian |
| 1062-x | Paramount | Senorita (1927) | Bebe Daniels, William Powell |
|
1063-x |
Paramount |
The Woman on Trial (1927) |
Pola Negri |
| 1066-x or 646-x | Paramount | Drums of the Desert (1927) | Warner Baxter, Ford Sterling |
| 1068-x | Paramount | The World at Her Feet (1927) | Florence Vidor |
| 1069-x | Paramount | Rolled Stockings (1927) | Richard Arlen, Louise Brooks |
|
1070-x or 648-x |
Paramount |
Time To Love (1927) |
Raymond Griffith, William Powell |
|
1073-x or 653-x |
Paramount |
The Last Outlaw (1927) |
Gary Cooper, Betty Jewel |
| 1074-x | Paramount | Man Power (1927) | Richard Dix, Mary Brian |
|
1080-x or 655-x |
Paramount |
Hula (1927) |
Clara Bow, Clive Brook |
|
1081-x |
Harold Lloyd/Paramount |
Speedy (1927) |
Harold Lloyd, Ann Christy |
|
1082-x |
Paramount |
Gentlemen Prefer Blondes (1928) |
Ruth Taylor, Alice White, Mack Swain, Ford Sterling |
|
1086-x |
Paramount |
The Street of Sin (1928) |
Emil Jannings, Fay Wray |
|
1087-x or 665-x |
Paramount |
The City Gone Wild (1927) |
Thomas Meighan, Louise Brooks |
|
1088-x |
Paramount |
The Secret Hour (1928) |
Pola Negri, Jean Hersholt |
| 1091-x | Paramount | Beau Sabreur (1928) | Gary Cooper, Evelyn Brent |
|
1096-x |
Paramount |
Now We're In the Air (1927) |
Wallace Beery, Raymond Hatton |
| 1100-x | Paramount | Hollywood Boulevard (1936) | John Halliday, Marsha Hunt |
|
1103-x or 683-x |
Paramount |
Abie's Irish Rose (1928) |
Buddy Rogers, Nancy Carroll |
|
1104-x |
Paramount |
Get Your Man (1927) |
Clara Bow, Charles Buddy Rogers |
| 1105-x | Paramount | Loves of an Actress (1928) | Pola Negri, Nils Asther |
|
1106-x or 681-x |
Paramount |
Legion of the Condemned (1928) |
Fay Wray, Gary Cooper |
|
1107-x or 680-x |
Paramount |
The Last Command (1928) |
Emil Jannings, William Powell |
|
1108-x |
Paramount |
Tillie's Punctured Romance (1928) |
W.C. Fields, Chester Conklin |
|
1112-x |
Paramount |
Love and Learn (1928) |
Esther Ralston, Lane Chandler |
|
1114-x |
Paramount |
Doomsday (1928) |
Gary Cooper, Florence Vidor |
|
1120-x |
Paramount |
Partners in Crime (1928) |
Wallace Beery, William Powell |
| 1121-x | Paramount | The Patriot (1928) | Emil Jannings, Florence Vidor |
|
1124-x |
Paramount |
Three Sinners (1928) |
Pola Negri, Warner Baxter |
| 1129-x | Paramount | His Tiger Lady (1928) | Adolphe Menjou, Evelyn Brent |
| 1130-x | Paramount | The Drag Net (1928) | George Bancroft, Evelyn Brent |
|
1131-x |
Paramount |
The Big Killing (1928) |
Wallace Beery, Raymond Hatton |
| 1127-x | Paramount | Fools for Luck | W. C. Fields, Chester Conklin |
| 1134-x | Paramount | Half a Bride (1928) | Esther Ralston, Gary Cooper |
| 1137-x | Paramount | The Vanishing Pioneer (30) | Jack Holt, William Powell |
|
1138-x |
Paramount |
Ladies of the Mob (1928) |
Clara Bow, Richard Arlen |
|
1139-x |
MGM |
Andy Hardy Meets Debutante (1940) |
Mickey Rooney, Judy Garland |
| 1140-x | Paramount | The Sawdust Paradise (1928) | Esther Ralston, Hobart Bosworth |
|
1142-x |
MGM |
I Love You Again (1940) |
William Powell, Myrna Loy |
|
1142-x |
Paramount |
Forgotten Faces (1928) |
Clive Brook, Mary Brian |
|
1145-x |
Paramount |
Beggars of Life (1928) |
Wallace Beery, Louise Brooks |
|
1150-x or MC-x |
Caddo/Paramount |
The Mating Call (1928) |
Thomas Meighan, Renée Adorée |
|
1152-x |
MGM |
The Philadelphia Story (1940) |
Cary Grant, Katharine Hepburn, James Stewart |
|
1152-x |
Paramount |
Docks of New York (1928) |
Betty Compson, George Bancroft |
| 1153-x | Paramount | Take Me Home (1928) | Bebe Daniels, Neil Hamilton |
|
1154-x |
Paramount |
Moran of the Marines (1928) |
Richard Dix, Ruth Elder |
|
1156-x |
Paramount |
The Wild Party (1929) |
Clara Bow, Frederic March |
|
1157-x |
Paramount |
Manhattan Cocktail (1928) |
Nancy Carroll, Richard Arlen |
|
1159-x |
Paramount |
River of Romance (1929) |
Charles "Buddy" Rogers, Mary Brian |
|
1162-x |
Paramount |
The Shopworn Angel (1929) |
Nancy Carroll, Gary Cooper |
| 1164-x or 767-x | Paramount | The Saturday Night Kid (1929) | Clara Bow, Jean Arthur |
|
1165-x |
Paramount |
Three Weekends (1929) |
Clara Bow, Neil Hamilton |
| 1175-x | Paramount | Chinatown Nights (1929) | Wallace Beery, Florence Vidor |
|
1176-x |
Paramount |
The Case of Lena Smith (1929) |
Esther Ralston, James Hall |
|
1181-x or 743-x |
Paramount |
Betrayal (1929) |
Emil Jannings, Esther Ralston |
|
1184-x |
Paramount |
Close Harmony (1929) |
Charles "Buddy" Rogers, Nancy Carroll |
|
1186-x |
Paramount |
The Wild Party (1929) |
Clara Bow, Fredrix March |
|
1190-x |
Paramount |
The Man I Love (1929) |
Richard Arlen, Mary Brian |
|
1196-x |
Paramount |
Charming Sinners (1929) |
Ruth Chaterton, Clive Brook |
|
1198-x |
Paramount |
Stairs of Sand (1929) |
Wallace Beery, Jean Arthur |
|
1199-x |
Paramount |
Wheel of Life (1929) |
Richard Dix, Esther Ralston |
|
1202-x |
Paramount |
The Lady Lies (1929) |
Walter Huston, Claudette Colbert |
| 1203-x | Sennett/Allied Producers | Suzanna(1923) | Mabel Normand |
|
1206-x |
Paramount |
Dangerous Curves (1929) |
Clara Bow, Richard Arlen |
|
1208-x |
Paramount |
Glorifying the American Girl (1929) |
Eddie Cantor, Helen Morgan |
| 1209-x | Paramount | Fashions in Love (1929) | Adolphe Menjou |
| 1210-x | Paramount | The Virginian (1929) | Gary Cooper, Mary Brian |
|
1217-x |
Paramount |
The Mighty (1929) |
George Bancroft, Esther Ralston |
| 1222-x | Paramount | Welcome Danger (1929) | Harold Lloyd, Barbara Kent |
|
1222-x |
Universal |
Pardon My Sarong (1942) |
Bud Abbott, Lou Costello |
|
1225-x |
Paramount |
The Vagabond King (1930) |
Dennis King, Jeanette MacDonald |
|
1226-x |
Paramount |
The Marriage Playground (1929) |
Mary Brian, Fredric March |
|
1230-x |
Paramount |
Halfway to Heaven (1929) |
Charles "Buddy" Rogers, Jean Arthur |
| 1238-x | Paramount | Only the Brave (1930) | Gary Cooper, Mary Brian |
| 1245-x | Paramount | Ladies Love Brutes (1930) | George Bancroft, Mary Astor, Fredric March |
|
1260-x |
Burden-Chanler/Paramount |
The Silent Enemy (1930) |
Chief Yellow Robe |
|
1262-x |
Paramount |
With Byrd at the South Pole (1930) |
Richard Byrd |
|
1269-x |
Paramount |
Love Among the Millionaires (1930) |
Clara Bow |
|
1285-x |
Paramount |
Fast and Loose (1930) |
Frank Morgan, Miriam Hopkins |
|
1313-x |
Paramount |
Tabu (1931) |
Documentary |
| 1324-x | Paramount | Women Love Once (1931) | Paul Lukas, Eleanor Boardman |
| 1345-x | Paramount | Beloved Bachelor | Paul Lukas, Dorothy Jordan |
| 1354-x | Paramount | Working Girls (1931) | Paul Lukas, Buddy Rogers |
| 1360-x | Sennett/Educational | The Lion's Roar (1928) | Billy Bevan, Daphne Pollard |
| 1366-x | Paramount | This is the Night (1932) | Cary Grant, Lily Damita |
|
1390-x |
Paramount |
Movie Crazy (1932) |
Harold Lloyd, Constance Cummings |
|
1392-x |
Paramount |
A Farewell to Arms (1932) |
Gary Cooper, Helen Hayes, Adolphe Menjou |
| 1394-x | Universal | Sudan (1945) | Maria Montez, Turhan Bey |
| 1424-x | Paramount | Strictly Personal (1933) | Marjorie Rambeau,Eddie Quillan |
| 1469-x | Paramount | Girl Without A Room (1933) | Charles Farrell, Marguerite Churchill |
|
1473-x |
Paramount/Dowling |
His Double Life (1933) |
Roland Young, Lillian Gish |
|
1478-x |
Universal |
Terror by Night (1946) |
Basil Rathbone, Nigel Bruce |
| 1493-x | Paramount | Double Door (1934) | Evelyn Venable, Mary Morris |
|
1501-x |
Paramount |
The Old Fashioned Way (1934) |
W. C. Fields |
|
1568-x |
Paramount |
The Milky Way (1936) |
Harold Lloyd, Adolphe Menjou |
| 1610-x | MGM | The Band Wagon (1953) | Fred Astaire, Nanette Fabray |
|
1651-x |
Educational/Mermaid |
The Vagrant (1921) |
Lloyd Hamilton |
| 1723-x | MGM | Gigi (1958) | Leslie Caron, Louis Jourdan |
|
1727-x |
Paramount |
Professor Beware (1938) |
Harold Lloyd, Phyllis Welch |
|
1929-x |
Paramount |
The Fleet's In (1942) |
Dorothy Lamour, William Holden |
| 2453-x | Universal | The Battling Bellboy (1917) | Billy Franey, Zasu Pitts |
| 3122-x | Universal | Blind Husbands (1919) | Sam De Grasse, Erich Von Stroheim |
| 3128-x | Universal/Fidelity | Woman on the Run (1950) | Ann Sheridan, Dennis O'Keefe |
|
3322-x |
Universal |
Foolish Wives (1922) |
Erich Von Stroheim, Mae Busch |
|
3678-x |
Universal |
The Trap (1922) |
Lon Chaney, Alan Hale |
| 3736-x | Universal | The Flame of Life (1923) | Priscilla Dean, Wallace Beery |
| 3759-x | Universal | Under Two Flags (1922) | Priscilla Dean, James Kirkwood |
|
3780-x |
Universal |
Trimmed (1922) |
Patsy Ruth Miller, Hoot Gibson |
|
3788-x |
Universal |
Don't Shoot (1922) |
Herbert Rawlinson |
|
3789-x |
Universal |
Perils of the Yukon (1922) serial |
William Desmond, Laura LaPlante |
|
3829-x |
Universal |
White Tiger (1923) |
Wallace Beery, Raymond Griffith |
|
3853-x |
Universal |
One Wonderful Night (1922) |
Herbert Rawlinson, Lillian Rich |
|
3874-x |
Universal |
The Hunchback of Notre Dame (1923) |
Lon Chaney, Patsy Ruth Miller |
|
3882-x |
Universal |
The Prisoner (1923) |
Herbert Rawlinson |
|
3885-x |
Universal |
Bavu (1923) |
Estelle Taylor, Wallace Beery |
|
3938-x Ep. # |
Universal |
The Eagle's Talons (1923) serial |
Ann Little, Fred Thompson |
| 3939-x | Universal | Shootin' for Love (1923) | Hoot Gibson, Laura La Plante |
|
4015-x |
Universal |
Sporting Youth (1924) |
Reginald Denny, Laura La Plante |
|
4020-x |
Universal |
The Signal Tower (1924) |
Wallace Beery |
|
4021-x Ep. # |
Universal |
The Ghost City (1923) serial |
Pete Morrison, Margaret Morris |
|
4025-x |
Universal |
A Tough Tenderfoot (1924) |
Billy Sullivan |
|
4159-x |
Universal |
The Phantom of the Opera (1925) |
Lon Chaney, Mary Philbin, Norman Kerry. |
|
4164-x |
Universal |
The Price of Pleasure (1925) |
Virginia Valli, Norman Kerry |
|
4174-x |
Astra/Pathé |
Daredevil Jack (1920) |
Jack Dempsey, Lon Chaney |
|
4179-x |
Universal |
Fifth Avenue Models (1925) |
Norman Kerry, Mary Philbin |
|
4219-x |
Universal |
Up the Ladder (1925) |
Virginia Valli, Holmes Herbert |
|
4229-x |
Universal |
Dangerous Innocence |
Laura La Plante, Eugene O'Brien |
|
4235-x |
Universal |
Head Winds (1925) |
House Peters, Patsy Ruth Miller |
|
4244-x |
Universal |
The Goose Woman (1925) |
Louise Dresser, Jack Pickford |
|
4246-x |
Universal |
Teaser, The (1925) |
Laura La Plante, Hedda Hopper |
|
4257-x |
Universal |
Peacock Feathers (1925) |
Jaqueline Logan, Cullen Landis |
|
4263-x |
Universal |
The Home Maker (1925) |
Alice Joyce, Clive Brook |
|
4282-x |
Universal |
Two-Fisted Jones (1925) |
Jack Hoxie, Kathryn McGuire |
|
4300-x |
Universal |
The Sporting Life (1925) |
Bert Lytell, Marion Nixon |
|
4304-x |
Universal |
His People (1925) |
Rudolph Schildkraut |
|
4305-x |
Universal |
The Whole Town's Talking (1926) |
Edward Everett Horton, Virginia Lee Corbin |
|
4311-x |
Universal |
Midnight Sun (1926) |
Laura La Plante, Pat O'Malley |
|
4434-x |
Universal |
The Mystery Club (1926) |
Matt Moore, Mildred Harris |
|
4442-x |
Universal |
Sensation Seekers (1927) |
Billie Dove |
|
4456-x |
Universal |
The Marriage Clause (1926) |
Francis X. Bushman, Billie Dove |
|
4471-x |
Universal |
Her Big Night (1926) |
Laura La Plante |
|
4479-x |
Universal |
Uncle Tom's Cabin (1927) |
Marguerite Fischer, James B. Lowe |
|
4484-x |
Universal |
Butterflies in the Rain (1926) |
Laura La Plante, James Kirkwood |
| 4549-x | Universal | Down the Stretch (1927) | Marian Nixon |
|
4550-x |
Universal |
The Cat and the Canary (1927) |
Laura La Plante, Creighton Hale |
| 4558-x | Universal | Held by the Law (1927) | Marguerite de la Motte |
|
4577-x |
Universal |
Alias the Deacon (1928) |
Jean Hersholt, June Marlowe |
|
4580-x |
Universal |
The Wrong Mr. Right (1927) |
Jean Hersholt, Enid Bennett |
|
4583-x |
Universal |
The Love Thrill (1927) |
Laura La Plante, Tom Moore |
| 4630-x | Universal | Cheating Cheaters (1927) | Betty Compson, Kenneth Harlan |
|
4688-x |
Universal |
Silk Stockings (1927) |
Laura La Plante, Otis Harlan |
|
4694-x |
Universal |
Painting the Town (1927) |
Patsy Ruth Miller, Glenn Tryon |
|
4698-x |
Universal |
The Thirteenth Juror (1927) |
Anna Q. Nilsson, Francis X. Bushman |
| 4704-x | Monogram | Louisiana (1947) | Jimmie Davis |
| 4711-x | Monogram | Joe Palooka in the Knockout (1947) | Leon Errol, Joe Kirkwood, Jr. |
|
4722-x |
Universal |
Good Morning Judge (1922) |
Reginald Denny, Mary Nolan |
|
4733-x |
Universal |
Man's Past, A (1927) |
Conrad Veidt |
|
4735-x |
Universal |
The Fourflusher (1928) |
Eddie Phillips, Marion Nixon |
| 4829-x | Universal | The Michigan Kid (1928) | Conrad Nagel, Renée Adorée |
|
4833-x |
Universal |
Home James (1928) |
Laura La Plante, Sidney Bracy |
|
4842-x |
Universal |
Tarzan the Mighty (1928) serial |
Frank Merrill, Natalie Kingston |
|
4900-x |
Universal |
The Mystery Rider (1928) serial |
William Desmond |
|
4969-x |
Universal |
Scandal (1929) |
Laura La Plante, John Boles |
| 4975-x | Universal | King of Jazz (1930) | Paul Whiteman, John Boles |
|
4977-x |
Universal |
Melody Lane (1929) |
Josephine Dunn |
|
5068-x |
Universal |
Hold Your Man (1929) |
Laura La Plante, Scott Kolk |
| 5091-x | Universal | Skinner Steps Out (1929) | Glen Tryon, Merna Kennedy |
|
5114-x |
Universal |
All Quiet on the Western Front (1931) |
Lew Ayers, Raymond Griffith |
| 6032-x | Republic | Lady Possessed (1952) | James Mason, June Havoc |
|
7300-x |
DeMille/Pathé |
Rush Hour (1927) |
Harrison Ford, Marie Prevost |
| 10008-x | Paramount | I Walk Alone (1947) | Burt Lancaster, Lizabeth Scott |
|
11427-x |
Paramount |
The Big Clock (1948) |
Ray Milland, Charles Laughton |
| 320105-x | Educational | Artists Muddles (1933) | Vernon Dent, Andy Clyde |
NOTE: Stills labeled "MGM-x" and "MGMP-x" are MGM publicity stills. Stills labeled "P.-x" are United Artists publicity stills. These are usually "behind the scenes" shots from various films.
Last Modified May 23, 2023