33333
Some Known Still Codes Part 2: Codes starting with numbers
Most stills will have a number or letter sequence, which identifies the film, and a dash and the still number for that film. To match the still to the film, you must know the studio that produced the film. Even if you don't know the studio, you may be able to infer it from the stars portrayed in the still. For example, a Mary Pickford movie from the 1910's is probably a Paramount film.
Some independant producers just numbered their stills sequentially. For example, D.W. Griffith numbered his stills for Intolerance (1916) and Broken Blossoms (1919) that way. Some studios used letters and number codes. For example "FORD-11" is the eleventh film that John Ford directed for Fox.
Robert Birchard's book King Cowboy: Tom Mix and the Movies lists the still codes for most of Mix's movies. Also, thanks to Mr. Birchard for helping me identify some of my early Paramount stills. Warren M. Sherk's book The Films of Mack Sennett: Credit Documentation from the Mack Sennett Collection at the Margaret Herrick Library lists still codes for most Mack Sennett films, plus others like Triangle Komedies that he was associated with in name only. Jon Mirsalis has listed still codes for Lon Chaney films on his Lon Chaney home page .
The codes below were gleaned from the stills in my collection that I have identified, and from silent film books that I own. Thanks to Richard Koszarski for supplying me with the Goldwyn and MGM still codes. Thanks to Derek Boothroyd to supplying many of these code that he found in his still collection.
Click here to see still codes that start with letters, which are on the next page.
|
Code |
Studio |
Title (Year) |
Star |
|
001 |
Essanay |
His New Job (1915) |
Charlie Chaplin, Ben Turpin |
|
002 |
Essanay |
A Night Out (1915) |
Charlie Chaplin, Ben Turpin |
|
003 |
Essanay |
The Champion (1915) |
Charlie Chaplin, Edna Purviance |
|
004 |
Essanay |
In the Park (1915) |
Charlie Chaplin, Edna Purviance |
|
005 |
Essanay |
A Jitney Elopement (1915) |
Charlie Chaplin, Edna Purviance |
|
006 |
Essanay |
The Tramp (1915) |
Charlie Chaplin, Edna Purviance |
|
1-x |
Corinne Griffith/First National |
Infatuation (1925) |
Corinne Griffith, Warner Oland |
|
1-x |
First National |
Clothes Make the Pirate (1925) |
Dorothy Gish, Leon Errol, Nita Naldi |
|
1-x |
Fox |
Fallen Angel (1918) |
Jewel Carmen |
|
1-x |
Goldwyn |
Field of Honor (1917) |
Unknown |
|
2-x |
Fox |
Ace High (1918) |
Tom Mix, Virginia Lee Corbin |
|
2-x |
Goldwyn |
Fighting Odds (1917) |
Maxine Elliott |
|
3-x |
Goldwyn |
Sunshine Alley (1917) |
Mae Marsh, Robert Harron |
|
4-x |
Fox |
American Methods (1918) |
William Farnum, Florence Vidor |
|
4-x |
Fox |
Mr. Logan, U.S.A. (1918) |
Tom Mix |
|
4-x |
Goldwyn |
Eternal Magdalene (1919) |
Maxine Elliott |
|
5-x |
Fox |
Durand of the Badlands (1917) |
Dustin Farnum |
|
5-x |
Goldwyn |
Polly of the Circus (1917) |
Mae Marsh, |
|
6-x |
First National |
Three Hours (1927) |
Corinne Griffith, Hobart Bosworth |
|
6-x |
FBO |
A Miss in the Dark (1924) |
Kit Guard |
|
6-x |
Goldwyn |
Baby Mine (1917) |
Madge Kennedy |
|
7-x |
Goldwyn |
Spreading Dawn (1917) |
Jane Cowl |
|
7-x |
Preferred/Associated First National |
White Shoulders (1922) |
Katherine McDonald |
|
8-x |
Fox |
Six-Shooter Andy (1918) |
Tom Mix, Enid Markey |
|
8-x |
Goldwyn |
The Cinderella Man (1917) |
Mae Marsh, Tom Moore |
|
9-x |
First National / Inspiration |
The Enchanted Cottage (1924) |
Richard Barthelmess, May McAvoy |
|
9-x |
Goldwyn |
Nearly Married (1917) |
Madge Kennedy |
|
10-x |
Fox |
Hell Roarin' Reform (1919) |
Tom Mix, |
|
10-x |
Goldwyn |
Joan of Plattsburg (1918) |
Mabel Normand |
|
10W-x |
Warner Brothers |
The Tenth Woman (1925) |
Beverly Bayne, June Marlowe |
|
11-x |
First National |
Companionate Marriage (1928) |
Betty Bronson, Alec B. Francis |
|
11-x |
Goldwyn |
Thais (1917) |
Mary Garden |
|
12-x |
Goldwyn |
The Beloved Traitor (1918) |
Mae Marsh |
|
12-x |
Universal |
Outside the Law (1921) |
Lon Chaney, Priscilla Dean |
|
12-x |
Inspiration/United Artists |
She Goes to War (1929) |
Eleanor Boardman |
|
13-x |
Fox |
Man Hunter (1919) |
William Farnum, Louise Lovely |
|
13-x |
Assoc. First National |
The Sea Hawk (1924) |
Milton Sills, Enid Bennett |
|
13-x |
Goldwyn |
Oh Mary Be Careful (1921) |
Madge Kennedy |
|
14-x |
Goldwyn |
The Splendid Sinner (1918) |
Mary Garden, Anders Randolph |
|
15-x |
Goldwyn |
Dodging a Million (1918) |
Mabel Normand, Tom Moore |
|
16-x |
First National |
The Woman on the Jury (1925) |
Lew Cody, Bessie Love |
|
16-x |
Goldwyn |
Our Little Wife (1918) |
Madge Kennedy, Walter Hiers |
|
17-x |
Goldwyn |
The Floor Below (1918) |
Mabel Normand, Tom Moore |
|
18-x |
Goldwyn |
The Face in the Dark (1918) |
Mae Marsh |
|
19-x |
Goldwyn |
The Danger Game (1918) |
Madge Kennedy, Tom Moore |
|
19-x |
First National |
The Perfect Flapper (1924) |
Coleen Moore, Syd Chaplin |
|
20-x |
Goldwyn |
The Glorious Adventure (1918) |
Mae Marsh |
|
21-x |
Goldwyn |
The Fair Pretender (1918) |
Madge Kennedy, Tom Moore |
|
22-x |
Goldwyn |
The Venus Model (1918) |
Mabel Normand, Rod LaRocque |
|
23-x |
Goldwyn |
All Woman (1918) |
Mae Marsh |
|
23-x |
Cosmopolitan/Paramount |
When Knighthood Was In Flower (1922) |
Marian Davies |
|
24-x |
Goldwyn |
The Service Star (1918) |
Madge Kennedy |
|
25-x |
Goldwyn |
Money Mad (1918) |
Mae Marsh, Rod LaRocque |
|
26-x |
Goldwyn |
Just for Tonight (1918) |
Tom Moore |
|
27-x |
RKO/Pathé |
Lonely Wives (1931) |
Patsy Ruth Miller, Edward Everett Horton, Laura La Plante |
|
27-x |
Goldwyn |
Back to the Woods (1918) |
Mabel Normand |
|
28-x |
Goldwyn |
Friend Husband (1918) |
Madge Kennedy, Rockliffe Fellowes |
|
29-x |
Goldwyn |
Hidden Fires (1918) |
Mae Marsh, Rod LaRocque |
|
30-x |
Goldwyn |
The Kingdom of Youth (1918) |
Madge Kennedy, Tom Moore |
|
31-x |
Goldwyn |
Peck's Bad Girl (1918) |
Mabel Normand |
|
32-x |
Goldwyn |
A Perfect Lady (1918) |
Madge Kennedy, Rod LaRocque |
|
33-x |
Goldwyn |
The Bondage of Barbara (1919) |
Mae Marsh, Tom Moore |
|
34-x |
Goldwyn |
A Perfect 36 (1918) |
Mabel Normand, Rod LaRocqu |
|
35-x |
Goldwyn |
Thirty a Week (1918) |
Tom Moore |
|
36-x |
Goldwyn |
The Racing Strain (1918) |
Mae Marsh |
|
37-x |
Goldwyn |
Day Dreams (1919) |
Madge Kennedy, John Bowers |
|
38-x |
Goldwyn |
Go West, Young Man (1918) |
Tom Moore, Ora Carew |
|
39-x |
First National |
The Greater Glory(1926) |
Anna Q. Nilsson, May Allison |
|
39-x |
Goldwyn |
Daughter of Mine (1919) |
Madge Kennedy, John Bowers |
|
40-x |
Goldwyn |
Sis Hopkins (1919) |
Mabel Normand, John Bowers |
|
41-x |
Goldwyn |
Woman on the Index (1919) |
Pauline Frederick |
|
42-x |
Goldwyn |
Man and His Money (1919) |
Tom Moore, Seena Owen |
|
43-x |
Goldwyn |
Spotlight Sadie (1919) |
Mae Marsh |
|
44-x |
Goldwyn |
One Week of Life (1919) |
Pauline Frederick |
|
45-x |
Goldwyn |
The Pest (1919) |
Mabel Normand, John Bowers |
|
46-x |
Goldwyn |
One of the Finest (1919) |
Tom Moore, Seena Owen |
|
47-x |
First National |
The Girl from Montmartre (1926) |
Barbara LaMarr, Lewis Stone |
|
47-x |
Goldwyn |
Leave It to Susan (1919) |
Madge Kennedy |
|
48-x |
Goldwyn |
Peace of the Roaring River (1919) |
Pauline Frederick |
|
49-x |
Goldwyn |
The City of Comrades (1919) |
Tom Moore, Seena Owen |
|
50-x |
Goldwyn |
When Doctors Disagree (1919) |
Mabel Normand |
|
50-x |
Langdon/First National |
Tramp, Tramp, Tramp (1926) |
Harry Langdon, Joan Crawford |
|
51-x |
Goldwyn |
Strictly Confidential (1919) |
Madge Kennedy, John Bowers |
|
52-x |
Goldwyn |
Lord and Lady Algy (1919) |
Tom Moore |
|
53-x (or 57-x?) |
Goldwyn |
The Fear Woman (1919) |
Pauline Frederick, Milton Sills |
|
54-x |
Goldwyn |
Through the Wrong Door (1919) |
Madge Kennedy, John Bowers |
|
55-x |
Goldwyn |
Upstairs (1919) |
Mabel Normand, Cullen Landis |
|
56-x |
Goldwyn |
Bonds of Love (1919) |
Pauline Frederick |
|
57-x ?? |
Goldwyn |
Heartsease (1919) |
Tom Moore, Helene Chadwick |
|
58-x |
Goldwyn |
Almost a Husband (1919) |
Will Rogers |
|
59-x |
Goldwyn |
Jinx (1919) |
Mabel Normand |
|
60-x |
Goldwyn |
The Gay Lord Quex (1919) |
Tom Moore |
|
61-x |
Goldwyn |
The Loves of Letty (1919) |
Pauline Frederick, John Bowers |
|
62-x |
Goldwyn |
Water, Water Everywhere (1919) |
Will Rogers, Irene Rich |
|
63-x |
First National |
Twinkletoes (1927) |
Colleen Moore, Warner Oland |
|
63-x |
Goldwyn |
The Paliser Case (1919) |
Pauline Frederick |
|
64-x |
Goldwyn |
Toby's Bow (1919) |
Tom Moore |
|
65-x |
Goldwyn |
Pinto (1919) |
Mabel Normand, Cullen Landis |
|
66-x |
Goldwyn |
The Cup of Fury (1919) |
Helene Chadwick, Rockliffe Fellowes |
|
67-x |
Goldwyn |
The Street Called Straight (1920) |
Charles Clary, Naomi Childers |
|
67-x |
Langdon/First National |
Long Pants (1927) |
Harry Langdon, Priscilla Bonner |
|
68-x |
Goldwyn |
Out of the Storm (1920) |
Barbara Castleton, John Bowers |
|
69-x |
Goldwyn |
Turn of the Wheel (1919) |
Geraldine Farrar, Herbert Rawlinson, Percy Marmont |
|
70-x |
Goldwyn |
Jubilo (1919) |
Will Rogers |
|
71-x |
Goldwyn |
The Hell Cat (1919) |
Geraldine Farrar, Tom Santschi |
|
72-x |
Goldwyn |
Shadows (1919) |
Geraldine Farrar, Milton Sills |
|
73-x |
Goldwyn |
The Stronger Vow (1919) |
Geraldine Farrar, Milton Sills |
|
74-x |
Goldwyn |
The World and Its Women (1919) |
Geraldine Farrar, Lou Tellegen |
|
75-x |
Goldwyn |
The Flame of the Desert (1919) |
Geraldine Farrar, Lou Tellegen |
|
75-x |
Sennett/Assoc. First National |
A Small Town Idol (1921) |
Ben Turpin, Phyllis Haver |
|
76-x |
Goldwyn |
The Woman and the Puppet (1920) |
Geraldine Farrar, Lou Tellegen |
|
77-x |
Goldwyn |
Laughing Bill Hyde (1918) |
Will Rogers |
|
78-x |
Goldwyn |
Too Fat to Fight (1918) |
Frank McIntyre, Florence Dixon |
|
79-x |
Goldwyn |
The Brand (1919) |
Kay Laurel, Russell Simpson |
|
80-x |
Goldwyn |
The Crimson Gardenia (1919) |
Owen Moore, Hedda Nova |
|
80-x |
Ince / Artcraft |
Alarm Clock Andy (1920) |
Charle Ray, |
|
81-x |
Goldwyn |
The Girl From Outside (1919) |
Clara Horton, Cullen Landis |
|
82-x or REX BEACH-9-x |
Goldwyn |
The Silver Horde (1920) |
Myrtle Stedman, Betty Blythe |
|
83-x |
Goldwyn |
The Little Shepard of Kingdom Come (1920) |
Jack Pickford, Pauline Starke |
|
84-x |
First National |
Naughty But Nice (1927) |
Colleen Moore, Donald Reed |
|
84-x |
Goldwyn |
Going Some (1920) |
Cullen Landis |
|
85-x |
Goldwyn |
Dangerous Days (1920) |
Lawson Butt, Rowland V. Lee |
|
85-x |
First National |
The Stolen Bride (1927) |
Billie Dove, Lloyd Hughes |
|
86-x |
Goldwyn |
Duds (1920) |
Tom Moore, Naomi Childers |
|
86-x also APOC-x |
Metro |
The Four Horsemen of the Apocalypse (1921) |
Rudolph Valentino, Alice Terry |
|
87-x |
Goldwyn |
The Blooming Angel (1920) |
Madge Kennedy, Pat O'Malley |
|
88-x |
Goldwyn |
The Woman in Room 13 (1920) |
Pauline Frederick, John Bowers |
|
88-x |
First National |
Rose of the Golden West (1927) |
Gilbert Roland, Mary Astor |
|
89-x |
Goldwyn |
The Strange Boarder (1920) |
Will Rogers, Irene Rich |
|
89-x |
New York Motion Picture / Triangle |
The Sorrows of Love (1916) |
Bessie Barriscale |
|
90-x |
Goldwyn |
Earthbound (1920) |
Wyndham Standing, Naomi Childers |
|
91-x |
Goldwyn |
Partners of the Night (1920) |
Pinna Nesbit, William B. Davidson |
|
92-x |
Goldwyn |
Edgar and the Teacher's Pet (1920) |
Edward Peil Jr. |
|
93-x |
Goldwyn |
The Slim Princess (1920) |
Mabel Normand, Tully Marshall |
|
94-x |
Goldwyn |
Dollars and Sense (1920) |
Madge Kennedy, Kenneth Harlan |
|
95-x |
Goldwyn |
Roads of Destiny (1921) |
John Bowers, Pauline Frederick |
|
96-x |
Goldwyn |
Jes' Call Me Jim (1921) |
Will Rogers, Irene Rich |
|
96-x |
Ince |
Her Husband's Friend (1920) |
Enid Bennett |
|
97-x |
Goldwyn |
The Great Accident (1921) |
Tom Moore, Jane Novak |
|
97-x |
Ince / Paramount |
Beau Revel (1921) |
Lewis Stone, Florence Vidor |
|
98-x |
First National |
Man Crazy (1928) |
Dorothy Mackaill, Jack Mulhall |
|
98-x |
Goldwyn |
The Penalty (1920) |
Lon Chaney, Ethel Grey Terry |
|
99-x |
Goldwyn |
A Double-Dyed Deceiver (1920) |
Jack Pickford |
|
100-x |
Goldwyn |
Branding Iron (1920) |
James Kirkwood, Barbara Castleton |
|
101-x |
Goldwyn |
Help Yourself (1920) |
Madge Kennedy |
|
101-x |
Ince/FPL |
The Bronze Bell (1921) |
Courtenay Foote |
|
102-x |
Goldwyn |
Edgar's Hamlet (1920) |
Edward Peil Jr. |
|
102-x |
Langdon/First National |
The Chaser (1928) |
Harry Langdon, Bud Jamison |
|
103-x |
Goldwyn |
Scratch My Back (1920) |
T. Roy Barnes |
|
103-x |
First National |
Love Mart (1927) |
Billie Dove, Gilbert Roland |
|
103-x |
Metro |
Camille (1921) |
Nazimova, Rudolph Valentino |
|
104-x |
Goldwyn |
North Wind's Malice (1920) |
Tom Santschi |
|
104-x |
Paramount |
Audrey (1916) |
Pauline Frederick |
|
105-x |
Goldwyn |
Edgar's Jonah Day (1920) |
Edward Peil Jr. |
|
105-x |
Metro |
Life's Darn Funny (1921) |
Viola Dana, Gareth Hughes |
|
106-x |
Fox |
Over the Wire (19 |
Alice Lake, Alan Roscoe |
|
106-x |
Goldwyn |
Milestones (1920) |
Lewis Stone |
|
107-x |
Goldwyn |
Madame X (1920) |
Pauline Frederick, Alan Roscoe |
|
107-x |
Ince |
Mother O' Mine (1921) |
Lloyd Hughes, Betty Blythe |
|
108-x |
Goldwyn |
Edgar Takes the Cake (1920) |
Edward Peil Jr. |
|
109-x |
Goldwyn |
It's a Great Life (1920) |
Cullen Landis, Molly Malone |
|
109-x |
Metro |
The Match-Breaker (1921) |
Viola Dana |
|
110-x |
Goldwyn |
Cupid the Cowpuncher (1920) |
Will Rogers, Helene Chadwick |
|
110-x |
Ince |
Hail the Woman (1921) |
Florence Vidor, Madge Bellamy |
|
111-x |
First National |
Lilac Time (1928) |
Colleen Moore, Gary Cooper |
|
112-x |
Metro |
There are No Villians (1921) |
Viola Dana |
|
115-x |
First National |
Lady Be Good (1928) |
Jack Mulhall, Dorothy Mackaill |
|
115-x |
Betty Blythe |
How Women Love (1922) |
Betty Blythe, Gladys Hulette |
|
116-x |
Associated Producers/King Vidor |
Love Never Dies (1921) |
Lloyd Hughes, Madge Bellamy |
|
116-x |
Goldwyn |
The Girl With the Jazz Heart (1921) |
Madge Kennedy |
|
118-x |
First National |
Vamping Venus |
Charlie Murray, Thelma Todd |
|
122-x |
Metro |
The Hole in the Wall (1921) |
Alice Lake |
|
123-x |
First National |
The Yellow Lily (1928) |
Clive Brook, Billie Dove |
|
124-x |
First National |
The Barker (1928) |
Milton Sills, Dorothy Mackaill |
|
126-x |
First National |
Happiness Ahead (1928) |
Colleen Moore, Edmund Lowe |
|
127-x |
First National |
The Whip (1928) |
Dorothy Mackaill, Anna Q. Nilssen |
|
128-x |
First National |
The Divine Lady (1929) |
Corinne Griffith |
|
130-x |
First National |
Night Watch (1928) |
Billie Dove, Paul Lucas |
|
131-x |
First National |
Out of the Ruins (1928) |
Richard Barthelmess, Robert Frazer |
|
131-x |
Paramount |
Seventeen (1916) |
Jack Pickford |
|
133-x |
Metro |
Trifling Women (1922) |
Barbara La Marr, Ramon Novarro |
|
134-x |
Paramount |
Coney Island Princess (1916) |
Irene Fenwick |
|
134-x |
Sennett/Pathé |
The Lion and the Souse (1924) |
Charlotte Mineau, Vernon Dent, Andy Clyde |
|
135-x |
Paramount |
Great Expectations (1917) |
Jack Pickford |
|
136-x |
Paramount |
The Travelling Salesman (1917) |
Frank McIntyre |
|
137-x |
Paramount/FP |
Snow White (1916) |
Marguerite Clark, Creighton Hale |
|
138-x |
Metro |
Where the Pavement Ends (1923) |
Ramon Novarro, Alice Terry |
|
139-x |
Paramount |
A Girl Like That (1917) |
Irene Fenwick |
|
139-x |
Ince/FBO |
Human Wreckage (1923) |
Bessie Love, Dorothy Davenport |
|
143-x |
First National |
His Captive Woman (1929) |
Milton Sills, Dorothy Mackaill |
|
145-x |
First National |
Synthetic Sin (1929) |
Colleen Moore, Antonio Moreno |
|
145-x |
Paramount/Lasky |
Joan the Woman (1916) |
Geraldine Farrar |
|
147-x |
Metro |
Scaramouche (1923) |
Ramon Novarro, Alice Terry |
|
148-x |
Paramount |
House with the Golden Windows (1916) |
Wallace Reid, Cleo Ridgely |
|
149-x |
Metro |
Eagle's Feather, The (1923) |
James Kirkwood, Mary Alden |
|
149-x |
Paramount |
The Victory of Conscience (1916) |
Cleo Ridgely, Lou Tellegen |
|
153-x |
First National |
Why Be Good? (1929) |
Colleen Moore, Neil Hamilton |
|
157-x |
Sennett/Pathé |
Love's Sweet Piffle (1924) |
Ralph Graves, Vernon Dent, Thelma Hill |
|
159-x |
First National |
Smiling Irish Eyes (1929) |
Colleen Moore, James Hall. |
|
159-x |
Metro |
Happiness (1924) |
Laurette Taylor, Hedda Hopper |
|
159-x or F139-x |
Paramount |
A Girl Like That (1917) |
Irene Fenwick, Owen Moore |
|
163-x |
Paramount/Lasky |
Oliver Twist (1916) |
Marie Doro, Hobart Bosworth |
|
167-x |
Paramount/Lasky |
Each to His Kind (1917) |
Sessua Hayakawa, Tsuru Aoki |
|
172-x |
Goldwyn |
The Christian (1923) |
Richard Dix, Mae Busch |
|
177-x |
Goldwyn |
Eternal Three (1923) |
Hobart Bosworth, Raymond Griffith, Bessie Love |
|
179-x |
Goldwyn (MGM) |
Greed (1923) |
Gibson Gowland, Zasu Pitts |
|
181-x |
First National |
The Love Racket (1929) |
Dorothy Mackaill |
|
184-x |
Fox |
Monte Cristo (1922) |
John Gilbert, Estelle Taylor |
|
185-x |
Goldwyn |
Name the Man (1924) |
Mae Busch, Conrad Nagel |
|
187-x |
Goldwyn |
Day of Faith (1923) |
Eleanor Boardman, Raymond Griffith, Ford Sterling. |
|
188-x |
First National |
The Love Racket (1929) |
Dorothy Mackaill |
|
191-x |
Goldwyn |
Nellie, the Beautiful Cloak Model (1924) |
Claire Windsor, Mae Busch, Raymond Griffith |
|
195-x |
Paramount |
Little Miss Hoover (1918) |
Marguerite Clark |
|
197-x |
MGM |
One Night in Rome (1924) |
Laurette Taylor, Tom Moore |
|
198-x |
MGM |
His Hour (1924) |
John Gilbert, Aileen Pringle |
|
199-x |
MGM |
The Great Divide (1925) |
Alice Terry, Wallace Beery |
|
200-x |
MGM |
Ben Hur (1925) |
Ramon Novarro, Francis X. Bushman |
|
202-x |
MGM |
Daddys' Gone A-Hunting (1925) |
Alice Joyce, Percy Marmount |
|
204-x |
First National |
Fine Clothes (1925) |
Lewis Stone, Percy Marmont, Raymond Griffith |
|
207-x |
MGM |
The Snob (1924) |
Norma Shearer, John Gilbert |
|
208-x |
MGM |
The Merry Widow (1925) |
Mae Murray, John Gilbert |
|
209-x |
MGM |
Excuse Me (1925) |
Norma Shearer, Conrad Nagel, Renée Adorée |
|
211-x |
MGM |
The Way of a Girl (1925) |
Eleanor Boardman, Matt Moore |
|
214-x |
MGM |
Confessions of a Queen (1925) |
Alice Terry, Lewis Stone |
|
218-x |
Metropolitan/PDC |
Million Dollar Handicap (1925) |
Vera Reynolds |
|
219-x |
MGM |
Proud Flesh (1925) |
Eleanor Boardman, Harrison Ford |
|
220-x |
Thanhouser |
The Valkrie (1915) |
Ernest Howard |
|
223-x |
MGM |
Slave of Fashion (1925) |
Norma Shearer, Lew Cody |
|
224-x |
Signal/Mutual |
Railroad Raiders (1917) Chapter 4 |
Helen Holmes, Leo Maloney |
|
229-x |
MGM |
The Big Parade(1925) |
John Gilbert, Renee Adoree |
|
230-x |
MGM |
The Midshipman (1925) |
Ramon Novarro, Harriet Hammond |
|
234-x |
MGM |
The Boob (1925) |
Gertrude Olmstead, George K. Arthur |
|
236-x |
Signal/Mutual |
Railroad Raiders (1917) Chapter 8 |
Helen Holmes, Leo Maloney |
|
238-x |
MGM |
Paris (1926) |
Charles Ray, Joan Crawford |
|
240-x |
Belasco |
Fifth Avenue (1926) |
Marguerite de la Motte |
|
240-x |
MGM |
La Bohème (1926) |
John Gilbert, Lillian Gish |
|
241-x |
MGM |
The Devil's Circus (1926) |
Norma Shearer, Charles Emmett Mack |
|
241 |
Paramount |
Forever (1921) |
Wallace Reid, Elsie Ferguson |
|
242-x |
MGM |
Bright Lights (1925) |
Charles Ray, Pauline Stark |
|
242-x |
Sennett/Pathé |
Kitty From Killarney (1926) |
Alice Day, Eddie Quillan |
|
243-x |
Producer's Distributing Corp. |
The Prince of Pilsen (1926) |
George Sidney, Anita Stewart |
|
246-x |
MGM |
Sally, Irene, and Mary (1925) |
Sally O'Neill, Joan Crawford, Constance Bennett |
|
249-x |
MGM |
The Blackbird (1926) |
Lon Chaney, Renee Adoree |
|
254-x |
Cosmopolitan/MGM |
The Torrent (1926) |
Ricardo Cortez, Greta Garbo |
|
256-x |
MGM |
The Scarlet Letter (1926) |
Lillian Gish, Lars Hanson |
|
257-x |
MGM |
The Auction Block (1926) |
Eleanor Boardman, Charles Ray |
|
258-x |
MGM |
Brown of Harvard (1926) |
Jack Pickford, Mary Brian |
|
259-x |
MGM |
Bardleys the Magnificent (1926) |
John Gilbert, Eleanor Boardman |
|
260-x |
MGM |
The Gay Deceiver (1926) |
Lew Cody, Marceline Day |
|
265-x |
MGM |
The Temptress (1926) |
Greta Garbo, Antonio Moreno |
|
266-x |
MGM |
Tell It to the Marines (1926) |
Lon Chaney, William Haines |
|
266-x |
20th Century - Fox |
Girls' Dormitory (1936) |
Herbert Marshall, Simone Simon |
|
268-x |
Paramount/Lasky |
It Pays to Advertise (1919) |
Bryant Washburn, Lois Wilson |
|
269-x |
MGM |
There You Are (1926) |
Conrad Nagel |
|
270-x |
MGM |
A Certain Young Man (1928) |
Ramon Novarro, Marceline Day |
|
272-x |
MGM |
The Waning Sex (1926) |
Norma Shearer, Conrad Nagel |
|
273-x |
Paramount |
Don't Change Your Husband (1919) |
Gloria Swanson, Elliott Dexter |
|
273-x |
MGM |
Mysterious Island (1929) |
Lionel Barrymore, Lloyd Hughes |
|
273-x |
Sennett |
Catalina, Here I Come (1927) |
Madeline Hurlock, Andy Clyde |
|
274-x |
MGM/Cosmopolitan |
The Red Mill (1927) |
Marion Davies, Owen Moore |
|
275-x |
MGM |
The Road to Mandalay (1926) |
Lon Chaney, Lois Moran |
|
276-x |
MGM |
The Trail of '98 (28) |
Ralph Forbes, Delores Del Rio |
|
278-x |
MGM |
Altars of Desire (1928) |
Mae Murray, Conway Tearle |
|
279-x |
MGM |
Upstage (1926) |
Norma Shearer, Oscar Shaw |
|
280-x |
MGM |
Tin Hats (1927) |
Conrad Nagel, Claire Windsor |
|
281-x |
MGM |
Annie Laurie (1927) |
Lillian Gish, Norman Kerry |
|
282-x |
MGM |
Flesh and the Devil (1926) |
John Gilbert, Greta Garbo |
|
283-x |
MGM |
Rose Marie (1928) |
Joan Crawford, James Murray |
|
284-x |
MGM |
Slide, Kelly, Slide (1927) |
William Haines, Sally O'Neil |
|
285-x |
MGM |
Wet Paint (1926) |
Tim McCoy, Pauline Starke |
|
286-x |
MGM |
Rookies (1927) |
Karl Dane, Marceline Day |
|
287-x |
MGM |
Lovers? (1927) |
Ramon Novarro, Alice Terry |
|
288-x |
MGM |
Exit Smiling (1926) |
Beatrice Lille, Jack Pickford |
|
289-x |
MGM |
A Little Journey (1927) |
Claire Windsor, William Haines |
|
293-x |
MGM |
The Crowd (1928) |
James Murray, Eleanor Boardman |
|
294-x |
MGM |
The Show (1927) |
John Gilbert, Renee Adoree |
|
295-x |
Thanhouser |
The Romance of the Hollow Tree (1916) |
Kathryn Adams |
|
297-x |
MGM |
Tillie the Toiler (1927) |
Marion Davies, Matt Moore |
|
298-x |
MGM |
The Demi-Bride (1927) |
Norma Shearer, Lew Cody |
|
301-x |
Allied Pictures |
The Stoker (1932) |
Monte Blue |
|
301-x |
MGM |
Mr. Wu (1927) |
Lon Chaney, Louise Dresser |
|
302-x |
MGM |
The Student Prince in Old Heidelberg (1927) |
Ramon Novarro, Norma Shearer |
|
305-x |
MGM |
The Unknown (1926) |
Lon Chaney, Joan Crawford |
|
306-x |
MGM |
On the Boulevard (1927) |
Lew Cody, Renee Adoree |
|
308-x |
MGM |
The Bugle Call (1927) |
Claire Windsor, Jackie Coogan |
|
310-x |
MGM |
Love (1927) |
Greta Garbo, John Gilbert |
|
311-x |
Cosmopolitan/MGM |
Captain Salvation (1927) |
Lars Hanson, Marceline Day |
|
313-x |
Cosmopolitan/MGM |
Quality Street (1927) |
Marion Davies, Conrad Nagel |
|
315-x |
MGM |
Spring Fever (1927) |
William Haines, Joan Crawford |
|
316-x |
MGM |
Adam and Eve (1927) |
Lew Cody, Aileen Pringle |
|
317-x |
Thanhouser |
John Brewster's Wife (1916) |
Ethyle Cooke |
|
318-x |
Thanhouser |
King Lear (1916) |
Frederick Warde |
|
319-x |
MGM |
After Midnight (1927) |
Norma Shearer, Lawrence Gray |
|
319-1-x |
Universal |
The Unexpected Father (1932) |
Slim Summerville, Zasu Pitts |
|
320-x |
MGM |
Mockery (1927) |
Lon Chaney, Barbara Bedford |
|
321-x |
MGM |
In Old Kentucky (1927) |
James Murray, Helene Costello |
|
322-x |
MGM |
The Road to Romance (1927) |
Ramon Novarro, Marceline Day |
|
324-x |
MGM |
Man, Woman, and Sin (1927) |
John Gilbert, Jeanne Eagles |
|
325-x |
MGM |
Rose-Marie (1928) |
Joan Crawford, James Murray |
|
326-x |
MGM |
Buttons (1927) |
Jackie Coogan, Lars Hanson |
|
327-x |
MGM |
The Enemy (1928) |
Lillian Gish, Lars Hanson |
|
329-x |
MGM |
The Fair Co-Ed (1927) |
Marion Davies, Johnny Mack Brown |
|
330-x |
MGM |
London After Midnight (1928) |
Lon Chaney, Marceline Day |
|
331-x |
Cosmopolitan/MGM |
The Lovelorn (1927) |
Sally O'Neil, Molly O'Day |
|
332-x |
MGM |
The Divine Woman (1928) |
Greta Garbo, Lars Hanson |
|
334-x |
Thanhouser |
Prudence the Pirate (1916) |
Gladys Hulette, Flora Finch |
|
335-x |
MGM |
Wickedness Preferred (1928) |
Lew Cody, Aileen Pringle |
|
337-x |
MGM |
West Point (1927) |
William Haines, Joan Crawford |
|
337-x |
Sennett/Triangle |
Their Neighbor's Baby (1918) |
Raymond Griffith, Rae Godfrey |
|
338-x |
MGM |
White Shadows of the South Seas (1928) |
Monte Blue, Raquel Torres |
|
341-x |
MGM |
Spoilers of the West (1927) |
Tim McCoy, Marjorie Daw |
|
342-x |
MGM |
Under the Black Eagle (1927) |
Ralph Forbes, Marceline Day |
|
343-x |
MGM |
The Cossacks (1928) |
John Gilbert, Renee Adoree |
|
344-x |
MGM |
Forbidden Hours (1928) |
Ramon Novarro, Renee Adoree |
|
345-x |
MGM |
The Patsy (1928) |
Marion Davies, Marie Dressler |
|
346-x |
MGM |
The Big City (1928) |
Lon Chaney, Marceline Day |
|
347-x |
MGM |
The Law and the Range (1928) |
Tim McCoy, Joan Crawford |
|
348-x |
MGM |
The Latest from Paris (1928) |
Norma Shearer |
|
350-x |
MGM |
The Smart Set (1928) |
William Haines, Alice Day |
|
352-x |
MGM |
Laugh Clown Laugh (1928) |
Lon Chaney, Loretta Young |
|
354-x |
MGM |
Across to Singapore (1928) |
Ramon Novarro, Joan Crawford |
|
355-x |
MGM |
Detectives (1928) |
Karl Dane, George K. Arthur |
|
357-x |
Cosmopolitan/MGM |
Tide of Empire (1929) |
Renee Adoree, George Duryea |
|
359-x |
Cosmopolitan/MGM |
Diamond Handcuffs (1928) |
Eleanor Boardman, Lawrence Gray |
|
360-x |
Cosmopolitan/MGM |
Show People (1928) |
Marion Davies, William Haines |
|
361-x |
MGM |
Beau Broadway (1928) |
Lew Cody, Aileen Pringle, Sue Carol |
|
364-x |
MGM |
Our Dancing Daughters (1928) |
Joan Crawford, Johnny Mack Brown |
|
366-x |
MGM |
The Cameraman (1928) |
Buster Keaton, Marceline Day |
|
366-x |
Monogram |
Women Must Dress (1935) |
Minna Gombell, Hardie Albright |
|
367-x |
Paramount |
The Affairs of Anatol (1921) |
Wallace Reid, Gloria Swanson |
|
367-x |
MGM |
The Bushranger (1928) |
Tim McCoy, Marian Douglas |
|
370-x |
MGM |
While the City Sleeps (1928) |
Lon Chaney, Anita Page |
|
371-x |
MGM |
Brotherly Love (1928) |
Karl Dane, George K. Arthur |
|
372-x |
MGM |
Excess Baggage (1928) |
William Haines, Josephine Dunn |
|
373-x |
MGM |
Four Walls (1929) |
John Gilbert, Joan Crawford |
|
374-x |
MGM |
The Mysterious Lady (1928) |
Greta Garbo, Conrad Nagel |
|
375-x |
Cosmopolitan/MGM |
The Cardboard Lover (1928) |
Marion Davies, Jetta Goudal |
|
376-x |
MGM |
The Masks of the Devil (1928) |
John Gilbert, Alma Rubens |
|
378-x |
MGM |
West of Zanzibar(1928) |
Lon Chaney, Lionel Barrymore |
|
380-x |
MGM |
Woman of Affairs (1928) |
Greta Garbo, John Gilbert |
|
383-x |
MGM |
Alias Jimmy Valentine (1929) |
William Haines, Lionel Barymore |
|
384-x |
Paramount |
Fool's Paradise (1921) |
Dorothy Dalton, Conrad Nagel |
|
391-x |
Paramount |
The Sheik (1921) |
Rudolph Valentino, Agnes Ayers |
|
392-x |
MGM |
The Broadway Melody (1929) |
Anita Page, Bessie Love |
|
396-x |
MGM |
All at Sea (1929) |
Karl Dane, George K. Arthur |
|
406-x |
MGM |
The Duke Steps Out (1929) |
William Haines, Joan Crawford |
|
408-x |
MGM |
Dynamite (1929) |
Kay Johnson, Charles Bickford |
|
409-x |
Paramount |
Her Husband's Trademark (1922) |
Gloria Swanson, Charles Ogle |
|
410-x |
Pathe |
Craig's Wife (1928) |
Irene Rich, Warner Baxter |
|
412-x |
MGM |
The Trial of Mary Dugan (1929) |
Norma Shearer, Lewis Stone |
|
412-x |
Paramount |
The World Champion (1922) |
Wallace Reid, Lois Wilson |
|
413-x |
MGM |
Our Modern Maidens (1929) |
Joan Crawford, Rod LaRocque |
|
413-x |
Paramount/Realart |
The Top of New York (1922) |
May McAvoy |
|
417-x |
MGM |
The Idle Rich (1929) |
Conred Nagel, Bessie Love |
|
418-x |
MGM |
Our Modern Maidens (1929) |
Anita Page, Douglas Fairbanks, Jr. |
|
423-x |
Paramount |
The Green Temptation (1922) |
Betty Compson, Theodore Kosloff |
|
431-x |
MGM |
Speedway (1929) |
William Haines, Anita Page |
|
436-x |
Paramount |
Man Unconquerable (1922) |
Jack Holt |
|
440-x |
MGM |
The Kiss (1929) |
Greta Garbo, Lew Ayres |
|
443-x |
MGM |
Devil-May-Care (1929) |
Ramon Novarro |
|
455-x or 1272A-x |
Paramount |
Blood and Sand (1922) |
Rudolph Valentino, Lila Lee |
|
463-x |
MGM |
Montana Moon (1930) |
Ricardo Cortez, Dorothy Sebastian |
|
467-x |
Paramount |
Borderland (1922) |
Agnes Ayres, Milton Sills |
|
469-x |
Paramount |
Prodigal Daughters (1923) |
Gloria Swanson, Ralph Graves |
|
475-x |
RKO |
Delightful Rogue (1929) |
Rod La Rocque |
|
478-x |
Paramount |
The Cheat (1923) |
Pola Negri, Jack Holt |
|
485-x |
Paramount |
The Silent Partner (1923) |
Leatrice Joy |
|
486-x or 529-x |
Paramount |
The Ten Commandments (1923) |
Richard Dix, Leatrice Joy, Nita Naldi |
|
490-x |
Paramount |
The Spanish Dancer (1923) |
Pola Negri, Wallace Beery |
|
497-x |
Paramount |
Wild Bill Hickock (1923) |
William S. Hart, Ethel Grey Terry |
|
506-x |
Paramount |
Triumph (1924) |
Leatrice Joy, Victor Varconi, Zasu Pitts |
|
508-x |
MGM |
Mare Nostrum (1926) |
Alice Terry, Antonio Moreno |
|
508-x |
Paramount |
Dawn of a Tomorrow (1924) |
Jaqueline Logan, Raymond Griffith |
|
512-x |
Paramount |
The Covered Wagon (1923) |
J. Warren Kerrigan, Lois Wilson |
|
518-x |
Paramount |
Bluebeard's Eighth Wife (1923) |
Gloria Swanson |
|
519-x |
Paramount |
Bella Donna (1923) |
Pola Negri, Conrad Nagel |
|
529-x or 486-x |
Paramount |
The Ten Commandments (1923) |
Rod La Rocque, Leatrice Joy |
|
530-x |
Paramount |
The Heart Raider (1923) |
Agnes Ayres, Charles Ruggles |
|
543-x |
Triangle |
Golden Rule Kate (1917) |
Louise Glaum, William Conklin, John Gilbert |
|
546-x |
Paramount |
Goose Hange High (1925) |
Constance Bennett, Esther Ralston |
|
556-x |
Triangle |
One Shot Ross (1917) |
Roy Stewart, Josie Sedgwick |
|
558-x or 716-x |
Paramount |
Are Parents People? (1924) |
Adolphe Menjou, Florence Vidor, Betty Bronson |
|
567-x |
Paramount |
Not So Long Ago (1925) |
Betty Bronson, Ricardo Cortez |
|
573-x |
Paramount |
The Pony Express (1925) |
Betty Compson, Ricardo Cortez, Wallace Beery |
|
581-x |
Paramount |
Lord Jim (1925) |
Percy Marmount, Shirley Mason |
|
587-x (also 840-x) |
Paramount |
Hands Up! (1925) |
Raymond Griffith, Mack Swain |
|
598-x (also 918-x) |
Paramount |
Wet Paint (1926) |
Raymond Griffith, Helene Costello |
|
605-x |
Triangle |
The Boss of the Lazy 'Y' (1918) |
Roy Stewart |
|
610-x |
Paramount |
His Children's Children (1923) |
Bebe Daniels, James Rennie |
|
613-x |
Paramount |
Kid Boots (1926) |
Clara Bow, Eddie Cantor |
|
614-x |
Paramount |
The Light That Failed (1923) |
Jacqueline Logan |
|
617-x |
Paramount |
West of the Water Tower (1923) |
Glenn Hunter, May McAvoy |
|
618-x or 1017-x |
Paramount |
Wings (1927) |
Richard Arlen, Clara Bow |
|
619-x |
Nestor/Universal |
By the Sun's Rays (1914) |
Lon Chaney |
|
622-x |
Paramount |
Barbed Wire (1927) |
Pola Negri, Clive Brook |
|
626-x |
Paramount |
Pied Piper Malone (1924) |
Thomas Meighan, Lois Wilson |
|
627-x |
MGM |
Speak Easily (1932) |
Buster Keaton, Thelma Todd |
|
631-x |
Triangle |
The Fly God (1918) |
Roy Stewart, Edward Peil |
|
632-x |
Paramount |
Afraid to Love (1927) |
Florence Vidor, Clive Brook |
|
634-x |
MGM |
Red Dust (1932) |
Clark Gable, Mary Astor |
|
634-x |
Paramount |
Wedding Bills (1927) |
Raymond Griffith, Anne Sheridan |
|
635-x |
Paramount |
The Dawn of Tomorrow (1924) |
Jaqueline Logan, Raymond Griffith |
|
640-x or 1057-x |
Paramount |
Rough House Rosie (1927) |
Clara Bow |
|
643-x |
Paramount |
Monsieur Beaucaire (1924) |
Rudolph Valentino |
|
646-x |
Paramount |
The Bedroom Window (1924) |
May McAvoy, Ricardo Cortez |
|
648-x or 1070-x |
Paramount |
Time to Love (1927) |
Raymond Grifith, William Powell |
|
651-x |
Paramount |
Icebound (1924) |
Richard Dix, Lois Wilson |
|
652-x |
Paramount |
Firemen, Save My Child(1928) |
Wallace Beery, Raymond Hatton |
|
654-x |
Paramount |
Changing Husbands (1924) |
Leatrice Joy, Raymond Griffith |
|
655-x |
Paramount |
The Alaskan (1924) |
Thomas Meighan, Estelle Taylor |
|
655-x or 1080-x |
Paramount |
Hula (1927) |
Clara Bow, Clive Brook |
|
656-x |
Paramount |
Lily of the Dust (1924) |
Pola Negri, Raymond Griffith |
|
662-x |
Paramount |
Empty Hands (1924) |
Jack Holt, Norma Shearer |
|
663-x |
Paramount |
The Female (1924) |
Betty Compson, Warner Baxter |
|
664-x |
Paramount |
Feet of Clay (1924) |
Vera Reynolds, Rod La Rocque |
|
665-x |
Paramount |
Open All Night (1924) |
Adolphe Menjou, Jetta Goudal, Raymond Griffith |
|
668-x |
Paramount |
The Fast Set (1924) |
Betty Compson, Adolphe Menjou |
|
673-x |
Paramount |
Forbidden Paradise (1924) |
Pola Negri, Rob La Rocque |
|
674-x |
Paramount |
Forty Winks (1925) |
Raymond Griffith, Anna May Wong |
|
676-x |
Paramount |
Garden of Weeds (1924) |
Betty Compson, Warner Baxter |
|
680-x |
Paramount |
Peter Pan (1924) |
Betty Bronson, Mary Brian |
|
681-x |
Paramount |
Legion of the Condemned (1928) |
Gary Cooper, Fay Wray |
|
683-x |
Paramount |
A Man Must Live (1925) |
Richard Dix |
|
688-x |
Paramount |
Code of the West (1925) |
Owen Moore, Constance Bennett |
|
692-x |
Paramount |
Madame Sans-Gene (1925) |
Gloria Swanson |
|
693-x |
Paramount |
Miss Bluebeard (1925) |
Bebe Daniels, Raymond Griffith |
|
694-x |
Paramount |
Salome of the Tenements (1925) |
Jetta Goudal |
|
698-x |
Paramount |
Coming Through (1925) |
Thomas Meighan, Wallace Beery |
|
700-x |
Paramount |
Too Many Kisses (1925) |
Richard Dix, William Powell, Harpo Marx |
|
701-x |
Paramount |
The Thundering Herd (1925) |
Jack Holt, Lois Wilson |
|
702-x |
Paramount |
The Air Mail (1925) |
Warner Baxter, Billie Dove |
|
703-x |
Paramount |
The Spainard (1925) |
Ricardo Cortez, Jetta Goudal |
|
706-x |
Paramount |
The Crowded Hour (1925) |
Bebe Daniels, Kenneth Harlan |
|
708-x |
Paramount |
A Kiss in the Dark (1925) |
Adolphe Menjou, Aileen Pringle |
|
709-x |
Paramount |
Forgotten Faces (1928) |
Mary Brian, Clive Brook |
|
710-x |
Paramount |
The Dressmaker From Paris (1925) |
Leatrice Joy, Ernest Torrence |
|
710-x |
Paramount |
Beggars of Life (1928) |
Louise Brooks, Richard Arlen |
|
711-x |
Paramount |
The Charmer (1925) |
Pola Negri |
|
711-x |
Paramount |
Just Married (1928) |
James Hall, Ruth Taylor |
|
712-x |
Paramount |
The Night Club (1925) |
Raymond Griffith, Vera Reynolds, Wallace Beery |
|
716-x |
Paramount |
Are Parents People (1925) |
Adolphe Menjou, Florence Vidor |
|
717-x |
Paramount |
In the Name of Love (1925) |
Wallace Beery, Raymond Hatton |
|
717-x |
Paramount |
Interference (1928) |
William Powell, Evelyn Brent |
|
720-x |
Paramount |
The Shock Punch (1925) |
Richard Dix, Frances Howard |
|
722-x |
Paramount |
Welcome Home (1925) |
Warner Baxter, Lois Wilson |
|
724-x |
Paramount |
Grounds for Divorce (1925) |
Florence Vidor, Tom Moore |
|
725-x |
Paramount |
Lost a Wife (1925) |
Adolphe Menjou, Greta Nisson |
|
726-x |
Paramount |
Paths to Paradise (1926) |
Raymond Griffith, Betty Compson |
|
730-x |
Universal/Bluebird |
Broken Fetters (1916) |
Violet Mersereau, John George |
|
743-x |
Paramount |
Betrayal (1929) |
Emil Jannings, Esther Ralston |
|
746-x |
MGM |
The Thin Man (1934) |
William Powell, Myrna Loy |
|
778-x |
Universal |
My Man Godfrey (1936) |
William Powell, Carole Lombard |
|
783-x |
Paramount |
The Fleet's In (1928) |
Clara Bow |
|
799-x |
Republic |
Woman Doctor (1939) |
Henry Wilcoxon |
|
799-x |
20th Century-Fox |
For Heaven's Sake (1950) |
Clifton Webb, Joan Bennett, Robert Cummings |
|
800-x |
Paramount |
The Wanderer (1925) |
Greta Nissen, Wallace Beery |
|
807-x |
Paramount |
Not So Long Ago (1925) |
Betty Bronson, Ricardo Cortez |
|
809-x |
Paramount |
A Son of His Father (1925) |
Warner Baxter, Bessie Love |
|
810-x |
Paramount |
Cobra (1925) |
Rudolph Valentino, Nita Naldi |
|
814-x |
Paramount |
The Golden Princess (1925) |
Betty Bronson, Edgar Kennedy, Neil Hamilton |
|
815-x |
Paramount |
A Regular Fellow (1925) |
Raymond Griffith, Mary Brian |
|
816-x |
Paramount |
The Vanishing American (1925) |
Richard Dix, Lois Wilson |
|
817-x |
Paramount |
The Best People (1925) |
Warner Baxter, Esther Ralston |
|
818-x |
Paramount |
Ancient Highway (1925) |
Jack Holt, Billie Dove |
|
819-x |
Paramount |
That Royle Girl (1926) |
W.C. Fields, Carole Dempster |
|
821-x |
Paramount |
Grand Dutchess and the Waiter, The (1926) |
Adolphe Menjou, Florence Vidor |
|
830-x |
Paramount |
Stage Struck (1925) |
Gloria Swanson, Ford Sterling |
|
832-x |
Paramount |
Irish Luck (1925) |
Thomas Meighan, Lois Wilson |
|
834-x |
Paramount |
American Venus (1926) |
Esther Ralston, Louise Brooks |
|
836-x |
Paramount |
The Song and Dance Man (1926) |
Tom Moore, Bessie Love |
|
837-x |
Paramount |
Aloma of the South Seas (1926) |
William Powell |
|
838-x |
Paramount |
Woman of the World (1925) |
Pola Negri |
|
840-x (also 587-x) |
Paramount |
Hands Up! (1925) |
Raymond Griffith, Mack Swain |
|
910-x |
Paramount |
Miss Brewster's Millions (1926) |
Bebe Daniels, Ford Sterling |
|
911-x |
Paramount |
The Crown of Lies (1926) |
Pola Negri |
|
912-x |
Paramount |
The New Klondike (1926) |
Thomas Meighan |
|
913-x |
Paramount |
Let's Get Married (1926) |
Richard Dix, Lois Wilson |
|
914-x |
Paramount |
The Blind Goddess (1926) |
Jack Hold, Ernest Torrence |
|
916-x |
Paramount |
The Cat's Pajamas (1926) |
Betty Bronson, Ricardo Cortez |
|
917-x |
Paramount |
Old Ironsides (1926) |
Wallace Beery, George Bancroft |
|
918-x (also 598-x) |
Paramount |
Wet Paint (1926) |
Raymond Griffith, Helene Costello |
|
919-x |
Paramount |
The Rough Riders (1927) |
Noah Beery, Mary Astor |
|
920-x |
Paramount |
The Runaway (1926) |
Clara Bow, William Powell |
|
923-x |
Paramount |
The Rainmaker (1926) |
William Collier Jr., Georgia Hale |
|
925-x |
Paramount |
Beau Geste (1927) |
Ronald Colman, Alice Joyce |
|
927-x |
Paramount |
Palm Beach Girl (1926) |
Bebe Daniels |
|
928-x |
Paramount |
It's the Old Army Game (1928) |
W. C. Fields, Louise Brooks |
|
929-x |
Paramount |
Good and Naughty (1926) |
Pola Negri, Ford Sterling. |
|
930-x |
Paramount |
Born to the West (1926) |
Jack Holt, Raymond Hatton |
|
933-x |
MGM |
Old Hutch (1936) |
Wallace Beery, Cecilia Parker |
|
934-x |
Paramount |
You Never Know Women (1926) |
Florence Vidor, Lowell Sherman |
|
935-x |
Paramount |
Mantrap (1926) |
Ernest Torrence, Clara Bow |
|
953-x |
Vitagraph |
Let Not Man Put Asunder (1924) |
Lou Tellegen, Pauline Frederick |
|
959-x |
MGM |
After the Thin Man (1936) |
William Powell, Myrna Loy |
|
1004-x |
Paramount |
The Great Gatsby (1926) |
Warner Baxter, Lois Wilson |
|
1006-x |
Paramount |
You'd Be Surprised (1926) |
Raymond Griffith, Dorothy Sebastian |
|
1007-x |
Paramount |
Forlorn River (1926) |
Jack Holt, Raymond Hatton |
|
1008-x |
Paramount |
The Campus Flirt (1926) |
Bebe Daniels |
|
1012-x |
Paramount |
The Wedding March (1928) |
Erich Von Stroheim, Fay Wray |
|
1014-x |
Paramount |
So's Your Old Man (1926) |
W.C. Fields, Alice Joyce |
|
1015-x |
Paramount |
Hotel Imperial (1927) |
Pola Negri, James Hall |
|
1016-x |
Paramount |
Everybody's Acting(1926) |
Betty Bronson, Ford Sterling |
|
1017-x or 618-x |
Paramount |
Wings (1927) |
Richard Arlen, Clara Bow |
|
1023-x |
Paramount |
The Popular Sin (1926) |
Florence Vidor, Clive Brook |
|
1024-x |
Paramount/Harold Lloyd |
The Kid Brother (1927) |
Harold Lloyd, Jobyna Ralston |
|
1030-x |
Paramount |
The Canadian (1926) |
Thomas Meighan |
|
1037-x |
Paramount |
Love's Greatest Mistake (1927) |
Evelyn Brent, William Powell |
|
1040-x |
Paramount |
Children of Divorce (1927) |
Clara Bow, Gary Cooper |
|
1043-x |
Paramount |
Special Delivery (1927) |
Eddie Cantor, William Powell |
|
1052-x |
Paramount |
Rubber Heels (1927) |
Ed Wynn, Chester Conklin |
|
1053-x |
Paramount |
Wedding Bill$ (1927) |
Raymond Griffith |
|
1054-x |
Paramount |
Underworld (1927) |
Evelyn Brent, Clive Brook |
|
1056-x |
Paramount |
Ritzy (1927) |
Betty Bronson, James Hall |
|
1057-x or 640-x |
Paramount |
Rough House Rosie (1927) |
Clara Bow, |
|
1059-x |
Paramount |
Whirlwind of Youth (1927) |
Vera Veronina, Donald Keith |
|
1063-x |
Paramount |
The Woman on Trial (1927) |
Pola Negri |
|
1070-x or 648-x |
Paramount |
Time To Love (1927) |
Raymond Griffith, William Powell |
|
1080-x or 655-x |
Paramount |
Hula (1927) |
Clara Bow, Clive Brook |
|
1081-x |
Harold Lloyd/Paramount |
Speedy (1927) |
Harold Lloyd, Ann Christy |
|
1082-x |
Paramount |
Gentlemen Prefer Blondes (1928) |
Ruth Taylor, Alice White |
|
1088-x |
Paramount |
The Secret Hour (1928) |
Pola Negri, Jean Hersholt |
|
1096-x |
Paramount |
Now We're In the Air (1927) |
Wallace Beery, Raymond Hatton |
|
1104-x |
Paramount |
Get Your Man (1927) |
Clara Bow, Charles Buddy Rogers |
|
1106-x |
Paramount |
Legion of the Condemned (1928) |
Fay Wray, Gary Cooper |
|
1107-x |
Paramount |
The Last Command (1928) |
Emil Jannings, William Powell |
|
1108-x |
Paramount |
Tillie's Punctured Romance (1928) |
W.C. Fields, Chester Conklin |
|
1112-x |
Paramount |
Love and Learn (1928) |
Esther Ralston, Lane Chandler |
|
1114-x |
Paramount |
Doomsday (1928) |
Gary Cooper, Florence Vidor |
|
1120-x |
Paramount |
Partners in Crime (1928) |
Wallace Beery, William Powell |
|
1124-x |
Paramount |
Three Sinners (1928) |
Pola Negri, Warner Baxter |
|
1131-x |
Paramount |
The Big Killing (1928) |
Wallace Beery, Raymond Hatton |
|
1138-x |
Paramount |
Ladies of the Mob (1928) |
Clara Bow, Richard Arlen |
|
1142-x |
MGM |
I Love You Again (1940) |
William Powell, Myrna Loy |
|
1142-x |
Paramount |
Forgotten Faces (1928) |
Clive Brook, Mary Brian |
|
1145-x |
Paramount |
Beggars of Life (1928) |
Wallace Beery, Louise Brooks |
|
1152-x |
Paramount |
Docks of New York (1928) |
Betty Compson, George Bancroft |
|
1154-x |
Paramount |
Moran of the Marines (1928) |
Richard Dix, Ruth Elder |
|
1156-x |
Paramount |
The Wild Party (1929) |
Clara Bow, Frederic March |
|
1159-x |
Paramount |
River of Romance (1929) |
Charles "Buddy" Rogers, Mary Brian |
|
1176-x |
Paramount |
The Case of Lena Smith (1929) |
Esther Ralston, James Hall |
|
1184-x |
Paramount |
Close Harmony (1929) |
Charles "Buddy" Rogers, Nancy Carroll |
|
1190-x |
Paramount |
The Man I Love (1929) |
Richard Arlen, Mary Brian |
|
1196-x |
Paramount |
Charming Sinners (1929) |
Ruth Chaterton, Clive Brook |
|
1199-x |
Paramount |
Wheel of Life (1929) |
Richard Dix, Esther Ralston |
|
1202-x |
Paramount |
The Lady Lies (1929) |
Walter Huston, Claudette Colbert |
|
1206-x |
Paramount |
Dangerous Curves (1929) |
Clara Bow |
|
1208-x |
Paramount |
Glorifying the American Girl (1929) |
Eddie Cantor, Helen Morgan |
|
1217-x |
Paramount |
The Mighty (1929) |
George Bancroft, Esther Ralston |
|
1222-x |
Universal |
Pardon My Sarong (1942) |
Bud Abbott, Lou Costello |
|
1225-x |
Paramount |
The Vagabond King (1930) |
Dennis King, Jeanette MacDonald |
|
1226-x |
Paramount |
The Marriage Playground (1929) |
Mary Brian, Fredric March |
|
1230-x |
Paramount |
Halfway to Heaven (1929) |
Charles "Buddy" Rogers, Jean Arthur |
|
1269-x |
Paramount |
Love Among the Millionaires (1930) |
Clara Bow |
|
1285-x |
Paramount |
Fast and Loose (1930) |
Frank Morgan, Miriam Hopkins |
|
1313-x |
Paramount |
Tabu (1931) |
Documentary |
|
1390-x |
Paramount |
Movie Crazy (1932) |
Harold Lloyd, Constance Cummings |
|
1392-x |
Paramount |
A Farewell to Arms (1932) |
Gary Cooper, Helen Hayes, Adolphe Menjou |
|
1473-x |
Paramount/Dowling |
His Double Life (1933) |
Roland Young, Lillian Gish |
|
1478-x |
Universal |
Terror by Night (1946) |
Basil Rathbone, Nigel Bruce |
|
1501-x |
Paramount |
The Old Fashioned Way (1934) |
W. C. Fields |
|
1568-x |
Paramount |
The Milky Way (1936) |
Harold Lloyd, Adolphe Menjou |
|
1651-x |
Educational/Mermaid |
The Vagrant (1921) |
Lloyd Hamilton |
|
1727-x |
Paramount |
Professor Beware (1938) |
Harold Lloyd, Phyllis Welch |
|
1929-x |
Paramount |
The Fleet's In (1942) |
Dorothy Lamour, William Holden |
|
3322-x |
Universal |
Foolish Wives (1922) |
Erich Von Stroheim, Mae Busch |
|
3678-x |
Universal |
The Trap (1922) |
Lon Chaney, Alan Hale |
|
3780-x |
Universal |
Trimmed (1922) |
Patsy Ruth Miller, Hoot Gibson |
|
3788-x |
Universal |
Don't Shoot (1922) |
Herbert Rawlinson |
|
3789-x |
Universal |
Perils of the Yukon (1922) serial |
William Desmond, Laura LaPlante |
|
3829-x |
Universal |
White Tiger (1923) |
Wallace Beery, Raymond Griffith |
|
3853-x |
Universal |
One Wonderful Night (1922) |
Herbert Rawlinson, Lillian Rich |
|
3874-x |
Universal |
The Hunchback of Notre Dame (1923) |
Lon Chaney, Patsy Ruth Miller |
|
3882-x |
Universal |
The Prisoner (1923) |
Herbert Rawlinson |
|
3885-x |
Universal |
Bavu (1923) |
Estelle Taylor, Wallace Beery |
|
3938-x Ep. # |
Universal |
The Eagle's Talons (1923) serial |
Ann Little, Fred Thompson |
|
4015-x |
Universal |
Sporting Youth (1924) |
Reginald Denny, Laura La Plante |
|
4020-x |
Universal |
The Signal Tower (1924) |
Wallace Beery |
|
4021-x Ep. # |
Universal |
The Ghost City (1923) serial |
Pete Morrison, Margaret Morris |
|
4025-x |
Universal |
A Tough Tenderfoot (1924) |
Billy Sullivan |
|
4159-x |
Universal |
The Phantom of the Opera (1925) |
Lon Chaney, Mary Philbin, Norman Kerry. |
|
4164-x |
Universal |
The Price of Pleasure (1925) |
Virginia Valli, Norman Kerry |
|
4174-x |
Astra/Pathé |
Daredevil Jack (1920) |
Jack Dempsey, Lon Chaney |
|
4179-x |
Universal |
Fifth Avenue Models (1925) |
Norman Kerry, Mary Philbin |
|
4219-x |
Universal |
Up the Ladder (1925) |
Virginia Valli, Holmes Herbert |
|
4229-x |
Universal |
Dangerous Innocence |
Laura La Plante, Eugene O'Brien |
|
4235-x |
Universal |
Head Winds (1925) |
House Peters, Patsy Ruth Miller |
|
4244-x |
Universal |
The Goose Woman (1925) |
Louise Dresser, Jack Pickford |
|
4246-x |
Universal |
Teaser, The (1925) |
Laura La Plante, Hedda Hopper |
|
4257-x |
Universal |
Peacock Feathers (1925) |
Jaqueline Logan, Cullen Landis |
|
4263-x |
Universal |
The Home Maker (1925) |
Alice Joyce, Clive Brook |
|
4282-x |
Universal |
Two-Fisted Jones (1925) |
Jack Hoxie, Kathryn McGuire |
|
4300-x |
Universal |
The Sporting Life (1925) |
Bert Lytell, Marion Nixon |
|
4304-x |
Universal |
His People (1925) |
Rudolph Schildkraut |
|
4305-x |
Universal |
The Whole Town's Talking (1926) |
Edward Everett Horton, Virginia Lee Corbin |
|
4311-x |
Universal |
Midnight Sun (1926) |
Laura La Plante, Pat O'Malley |
|
4434-x |
Universal |
The Mystery Club (1926) |
Matt Moore, Mildred Harris |
|
4442-x |
Universal |
Sensation Seekers (1927) |
Billie Dove |
|
4456-x |
Universal |
The Marriage Clause (1926) |
Francis X. Bushman, Billie Dove |
|
4471-x |
Universal |
Her Big Night (1926) |
Laura La Plante |
|
4479-x |
Universal |
Uncle Tom's Cabin (1927) |
Marguerite Fischer, James B. Lowe |
|
4484-x |
Universal |
Butterflies in the Rain (1926) |
Laura La Plante, James Kirkwood |
|
4550-x |
Universal |
The Cat and the Canary (1927) |
Laura La Plante, Creighton Hale |
|
4577-x |
Universal |
Alias the Deacon (1928) |
Jean Hersholt, June Marlowe |
|
4580-x |
Universal |
The Wrong Mr. Right (1927) |
Jean Hersholt, Enid Bennett |
|
4583-x |
Universal |
The Love Thrill (1927) |
Laura La Plante, Tom Moore |
|
4688-x |
Universal |
Silk Stockings (1927) |
Laura La Plante, Otis Harlan |
|
4694-x |
Universal |
Painting the Town (1927) |
Patsy Ruth Miller, Glenn Tryon |
|
4698-x |
Universal |
The Thirteenth Juror (1927) |
Anna Q. Nilsson, Francis X. Bushman |
|
4733-x |
Universal |
Man's Past, A (1927) |
Conrad Veidt |
|
4735-x |
Universal |
The Fourflusher (1928) |
Eddie Phillips, Marion Nixon |
|
4833-x |
Universal |
Home James (1928) |
Laura La Plante, Sidney Bracy |
|
4842-x |
Universal |
Tarzan the Mighty (1928) serial |
Frank Merrill, Natalie Kingston |
|
4900-x |
Universal |
The Mystery Rider (1928) serial |
William Desmond |
|
4977-x |
Universal |
Melody Lane (1929) |
Josephine Dunn |
|
5068-x |
Universal |
Hold Your Man (1929) |
Laura La Plante, Scott Kolk |
|
5114-x |
Universal |
All Quiet on the Western Front (1931) |
Lew Ayers, Raymond Griffith |
|
7300-x |
DeMille/Pathé |
Rush Hour (1927) |
Harrison Ford, Marie Prevost |
NOTE: Stills labeled "MGM-x" and "MGMP-x" are MGM publicity stills. Stills labeled "P.-x" are United Artists publicity stills. These are usually "behind the scenes" shots from various films.
Last Modified April 20, 2013